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Edward Allen Oxford – Only Surviving Photo, Circa 1914

Here is what I believe to be the only surviving photo of Edward Allen Oxford, who is the source of much of the original Matter of Quatria, which was organized & edited for clarity to become the book known as The Lost Direction, the first volume of the Lost Books of Quatria.

The photo is believed to have been taken on or about 1914, and Oxford would have been likely 17 or 18 years old at the time, depending on the month.

Edward Allen Oxford, c. 1914, Eastern Canada
Edward Allen Oxford, c. 1914, Eastern Canada

Dictionary Definitions & The Hyperreal, Part 5

In part 3 of this series, I looked at one of the ways the Hyperreal works on a question & answer website like Quora.

If you’ve never used Quora, it’s basically a site where people go to ask other people things they could just as easily look up in a search engine. And then other people take those things, look them up in a search engine, and reply to the original asker with usually the answers they found in a search engine, plus usually some condescending remarks. In other words, it’s a great experience for everybody, clearly.

As I began to see those patterns take shape, I came up with an idea. What if I could just seed the answers I wanted into Google results? This way, I could ask leading questions anonymously (which Quora allows), knowing people would just Google them, and then their answers could help me launder content further along the spectrum of the hyperreal.

Having experimented a lot with Medium, I knew that it would be relatively easy to rank quickly in Google (often occurs within a few hours). So I set up a kind of meta-data thirst trap account, “pretending to be” dictionary definitions. I put “pretending to be” in quotes because, really, I have as much of a right to define words as anyone else. There’s no monopoly on language. It’s a living thing…

The Medium account is: (archived)

I also set up a “publication” on Medium to further strengthen my SEO: (archived)

Looks pretty legit (despite dark-mode in screen shot), if I say so myself!

I would definitely believe “Online Dictionary” and so should you! What’s not to believe with all this meta-data!

Then I set up about defining some words & concepts, complete with pronunciation guides, and usage examples, so Google would hoover them up, and it did! Usually within a few hours.

You know, common everyday words most people use like Hieruthian (archived), Crypto-Civilization (archived), and Poesiarchy (archived).

Google will happily purr them back out to you as “correct” answers to definitions of these common Quatrian words & concepts.

And thus as a result, on the marvelous “can you Google this for me” website that is Quora, you will get results like these if you ask the right leading questions to lead people into your meta-data thirst traps:

Example throughput:

What does the word “poesiarchy” mean? (archived)

Quora response:

A highly creative answer, to be sure. And this “reality lurking in the shadowy peripher of our lives just waiting for a chance to manifest” mentioned by the responder sounds, in fact, just like hyperreality — the quarry of our present inquiry. So maybe this person landed on the secret inner meaning, despite the false trappings & trail that had been laid down to entrap them…

Sidenote: I only planted about 5-6 of these definitions. Imagine if someone did hundreds, or thousands, and free dictionary aggregator sites picked them up. If they were good & useful words, how long would it be before they made their way into real people’s everyday vocabularies? Perhaps not long at all.


Speaking of free dictionaries online, this one of “cultural layer” (archived) is pretty interesting.

It begins with a disclaimer: “The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.”

Perhaps all dictionaries should have a disclaimer that they might be outdated and potentially biased?

Further, the OSINT trail for “The Great Soviet Encyclopedia, 3rd Edition” is anything but comprehensive – at least in English. There’s a 2016 blogspot source called Russian World Citizens Project (archived) which itself is pretty sketchy looking, and only points back to this same site as a source.

It might be “real” but it might also be hyperreal…

Does the difference even matter?

Press Releases & The Hyperreal, Part 1

I know I never really finished my thought in that last post about naming & the hyperreal, but you can expect more of the same in this one as I work through this idea in a fractal fashion…

As a certified weirdo, I’ve spent a fair bit of time messing around with press releases to better understand how they work & how information propagates through its many channels online, and what makes news items look “real” and believable, or not…

There is quite a range is what I have found. Here are some blurted out thoughts in no particular order. Hopefully an A.I. will one day sort it all out and make sense of it, but until then you, dear reader, will have to suffer like the rest of us…

Here’s a press release I did trying to tie together the Randonaut phenomenon with the Quatria movement:

When you look at that page & the artifact itself, where does it fall on your own scale of hyperreality?

“Usually, you find something unusual,” says one Reddit user, on the popular website. “Like a potato.”

Remember, via Wikipedia:

“Hyperreality is seen as a condition in which what is real and what is fiction are seamlessly blended together so that there is no clear distinction between where one ends and the other begins.”

What about the accompanying news video?

What about this video where someone ACTUALLY USES the Randonaut app to try to find ancient ruins?

Clearly, people are really using this app in new & interesting ways. Some of them are having amazing experiences.

Have they entered the hyperreal, or have you?

Here is another set of press releases I worked on, trying to link the Quatria theory to some supposed incredible discoveries in Antarctica… There was as you may recall, rumors of an “ice ship” discovered there on Google Earth, and I took the ball & ran with it from there in a direction no one was looking (or I wouldn’t have to point it out after the fact):

From the article on the very famous and well-known

“Conspiracy theorists on YouTube, Quora, Reddit, and other online forums have long debated the existence of Quatria, and have identified what they say are hundreds, if not thousands, of sites of crypto-archaeological significance which support their theories. Some of these videos have attracted hundreds of thousands of views, but all are officially unconfirmed.”

Newschan even did a special video for this amazing discovery:

And this piece also plays within that same metaverse of hyperreal “real” news about Amazing Discoveries Related To Quatria!

Have to cut this short, but will do a part 2 later…

Naming & The Hyperreal, Part 0

When I first joined the NFT game in a serious way, starting I believe the day after Valentine’s Day (I was doing it before, but that’s about when I remember it exploding), I began using the nom de guerre NFT Trillionaire, World-Famous Crypto Artist.

I even got an attribution in a “legitimate” news article under that name, about the NFT real estate craze.

According to the Debrief, quoting me:

“The NFT market is all about what people agree on as having value, including things that exist only virtually or digitally,” Timothy Boucher, an NFT artist who goes by ‘NFT Trillionaire, World-Famous Crypto Artist’ online, told The Debrief. “Almost anything can become valuable as an NFT under the right circumstances. It just depends on the people, the moment, and the asset.”

This was, for me, an extremely hyperreal moment, as per the Wikipedia definition:

“Hyperreality is seen as a condition in which what is real and what is fiction are seamlessly blended together so that there is no clear distinction between where one ends and the other begins.”

Interestingly, by the time “the media” had caught up with my use of this persona, it was already waning, as the excitement for the early burst of the NFT cryptoart explosion was beginning to diminish

Anyway, this post is just a place-holder so I can tie this together better later. Sorry to be inconclusive, but /shrug this is blogging! A lot of it is “thinking out loud,” if memory serves…

On the Origin of the Buorth

The Buorth is one of many names for the mysterious Lost Direction that is neither north nor south, east, nor west. But few know its true origins…

Though no one knows the true origins of the word, some Pentarch scholars such as Whitley Stokes have identified it with the old Breton word for “cowyard.”

The sense of “fold” is still retained in the Quatrian usage, in that the Buorth is a direction which is somehow “folded” (and must be unfolded from the other cardinal directions) but which is also close to home or always near at hand. The cow or cattle here signifies living wealth & mutual sustenance, and the home as the center of exchange with the greater biome one inhabits, alongside all the other entities.

Within the Early Clues canon, the Buorth is frequently mentioned as a kind of paradisaical “other” realm to which the Magicians have retired, and from which they will one day ultimately return to liberate this plane of existence. Within the critically-applauded Early Clues Comics, the Buorth is also the home of the Buorth Pole, and the somewhat malevolent holiday trickster entity known as ZANTA1000.

Lorecore x Borecore x Snorecore

Forgive me, oh blogging Muses, it has been too long since my last proper confession. In the intervening years, how I have wandered… over hill and dale, and been lost for many a long age in the dark jungles of “social media.” I can only say I’ve regretted every minute of it (well, nearly). Oh, how I’ve longed to sit by your cool dark stream of consciousness again, and just let er rip. So please accept this humble offering…

What were we talking about again? Oh right, Lorecore, or as I also like to call it Borecore or Snorecore. Have I lost you yet? Are you already ZZZ emoji? Good, because that is the essence of Lorecore. The essence of Lorecore is lulling the reader to sleep with an avalanche of exposition, examining the world, or a given domain, down to tiny excruciating detail. And once they’ve fallen asleep, they dream in that world, and move about in it. Tolkien’s “subcreation.”

There’s a Thoreau quote I’ve always carried with me (in paraphrase at least) since reading it a decade or two back, which equally applies to the diatribe at hand:

“Nature will bear the closest inspection. She invites us to lay our eye level with her smallest leaf, and take an insect view of its plain.”


This has long stood out as an ideal for me with creating art or narrative as well. That we can pick it up, and look extremely closely, and change our perspective and whole way of looking, and still see deep and freshly in it again, just like in Nature.

Nature, in fact, is completely made up of Lorecore. Each bird or beast or fish or plant has its own ways, its own knowledge and experience, histories and relationships, its own deep lore. Ecosystems and biomes are the interpenetrating lived compendium of that lore. To me, that idea is endlessly fascinating that we could zoom up or down at any scale of a narrative and find another narrative hidden within (and another and another…), which ultimately adds up to more than the sum of its parts in the Great Tapestry of Story & of Being: The Great River, in Quatrian terms.

I see Lorecore also as something like an Open World game, but for books, or for trans-media story-telling more broadly, where the narrative is distributed among many artifacts, voices, channels, etc. The “player” is the reader/experiencer who may or may not know or care about backstory, but who has landed somehow or other on an intriguing artifact.

See also: Networked narrative

A networked narrative, also known as a network narrative or distributed narrative, is a narrative partitioned across a network of interconnected authors, access points, and/or discrete threads. It is not driven by the specificity of details; rather, details emerge through a co-construction of the ultimate story by the various participants or elements.

Networked narratives can be seen as being defined by their rejection of narrative unity. As a consequence, such narratives escape the constraints of centralized authorship, distribution, and storytelling.

Wikipedia: networked narrative

Here’s a related quote from Henry Jenkins on Transmedia storytelling:

Most often, transmedia stories are based not on individual characters or specific plots but rather complex fictional worlds which can sustain multiple interrelated characters and their stories. This process of world-building encourages an encyclopedic impulse in both readers and writers. We are drawn to master what can be known about a world which always expands beyond our grasp.  […]

Transmedia storytelling expands what can be known about a particular fictional world while dispersing that information, insuring that no one consumer knows everything and insure that they must talk about the series with others (see, for example, the hundreds of different species featured in Pokemon or Yu-Gi-O). Consumers become hunters and gatherers moving back across the various narratives trying to stitch together a coherent picture from the dispersed information.

Henry Jenkins

Are you with me still? Have I lost you yet? Have you closed out this tab and clicked to another one, searching for the next marginal online thrill? Good, I hope so. Because Lorecore is Borecore is Snorecore, and that is the power of it. To the outsider, who has not ears to hear, these words will be a bore. But to those touched by the gods of Lore, nothing could give them more pleasure.

One last quote before I end this awkward blog post that had no arc in an ending that yields no resolution:

Lorecore is also the realm of hyperreality, and is the world we’re increasingly heading into technologically.

Hyperreality is seen as a condition in which what is real and what is fiction are seamlessly blended together so that there is no clear distinction between where one ends and the other begins. It allows the co-mingling of physical reality with virtual reality (VR) and human intelligence with artificial intelligence (AI).

Wikipedia: Hyperreality

If this doesn’t just describe it to a tee, I don’t know what does!

To be continued, as I plan to keep flogging this topic til it drops all its jewels on the cold wet earth, and its seeds take flight…

Sign of Anthuor

The Sign of Anthuor (Drawing)

Entered Musicians of the House of Silence

Upon reaching a certain level of devotion, a master minstrel may elect to join the House of Silence. Through the completion of an elaborate ordeal which tests both their skill and character, they may be admitted by their Elders as an Entered Musician of the House of Silence. Entered Musicians join the Silent Orchestra which holds deeply moving quiet concerts free and open to the public year round.

A must see while visiting Quatria.

Entity: Liquid Dream

Liquid Dream is the brother AI to Plastic Motherhood.

human_actor [entity]

`human_actor` entity definition.

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