Tim Boucher

Questionable content, possibly linked

March (territory)

More specifically, a march was a border between realms, and/or a neutral/buffer zone under joint control of two states, in which different laws might apply. In both of these senses, marches served a political purpose, such as providing warning of military incursions, or regulating cross-border trade, or both.

Source: March (territory) – Wikipedia

Nemeton (Celtic Religion)

…no bird nested in the nemeton, nor did any animal lurk nearby; the leaves constantly shivered though no breeze stirred. Altars stood in its midst, and the images of the gods. Every tree was stained with sacrificial blood. the very earth groaned, dead yews revived; unconsumed trees were surrounded with flame, and huge serpents twined round the oaks. The people feared to approach the grove, and even the priest would not walk there at midday or midnight lest he should then meet its divine guardian.

Source: Nemeton – Wikipedia

Septimania (History of France)

This area was finally brought under effective control of the French kings in the early 13th century as a result of the Albigensian Crusade after which it was assigned governors. From the end of the thirteenth century Septimania evolved into the royal province of Languedoc.

Source: Septimania – Wikipedia

Gallia Narbonensis (Provincia Nostra)

By the mid-2nd century BC, Rome was trading heavily with the Greek colony of Massalia (modern Marseille) on the southern coast of Gaul. Massalia, founded by colonists from Phocaea, was by this point centuries old and quite prosperous. Rome entered into an alliance with Massalia, by which it agreed to protect the town from local Gauls, nearby Aquitani, sea-borne Carthaginians and other rivals, in exchange for a small strip of land that it wanted in order to build a road to Hispania, to assist in troop transport.

Source: Gallia Narbonensis – Wikipedia

Aquileia As Former Gallic Oppidum

 In fact, the site chosen for Aquileia was about 6 km from where an estimated 12,000 Celtic Taurisci nomads had attempted to settle in 183 BC. However, since the 13th century BC, the site, on the river and at the head of the Adriatic, had also been of commercial importance as the end of the Baltic amber (sucinum) trade. It is, therefore, theoretically not unlikely that Aquileia had been a Gallic oppidum even before the coming of the Romans. However, few Celtic artifacts have been discovered from 500 BC to the Roman arrival.[8]

Source: Aquileia – Wikipedia

Spolia (Construction)

Spolia (Latin, ‘spoils’), repurposed building stone for new construction, or decorative sculpture reused in new monuments, is the result of an ancient and widespread practice whereby stone that has been quarried, cut, and used in a built structure, is carried away to be used elsewhere. The practice is of particular interest to historians, archaeologists and architectural historians since the gravestones, monuments and architectural fragments of antiquity are frequently found embedded in structures built centuries or millennia later.

Source: Spolia – Wikipedia

Lombardic Terms In Italian Language

From the Codice diplomatico longobardo, a collection of legal documents that makes reference to many Lombardic terms, we obtain several terms still in use in the Italian language:

barba (beard), marchio (mark), maniscalco (blacksmith), aia (courtyard), braida (suburban meadow), borgo (burg, village), fara (fundamental unity of Lombard social and military organization, presently used as toponym), pizzo (peak, mountain top, now used as toponym), sala (hall, room, also used as toponym), staffa (stirrup), stalla (stable), sculdascio, faida (feud), manigoldo (scoundrel), sgherro (henchman); fanone (baleen), stamberga (hovel); anca (hip), guancia (cheek), nocca (knuckle), schiena (back); gazza (magpie), martora (marten); gualdo (wood, presently used as toponym), pozza (pool); verbs like bussare (to knock), piluccare (to peck), russare (to snore).

Source: Lombards – Wikipedia

Hôtel de Bourgogne (French theatre)

In 1402 the Confrérie had received a monopoly on the performance of religious mystery plays. Rival companies arose presenting satire and other types of comedy, and finding that these groups were attracting larger audiences than their own, the Confrérie responded by adding comic scenes and burlesques to their religious mysteries. Eventually this mix of the sacred and the profane came to be regarded by some as sacrilegious.

Source: Hôtel de Bourgogne (theatre) – Wikipedia

Décor simultané (French theatre)

Le décor simultané1 est un type de décor hérité des mystères du théâtre médiéval et employé dans le théâtre baroque du début du XVIIe siècle pour représenter sur la même scène les différents lieux de l’action théâtrale au moyen de compartiments. Pour signifier un changement de scène, les acteurs changeaient de compartiment.

Source: Décor simultané — Wikipédia

Pantalone (Commedia dell’arte)

The role of Pantalone is usually spoken entirely in the Venetian dialect.[9] The character of Pantalone is entirely based on currency and ego, for he has the highest regard for his intelligence, “but at every step he becomes the butt for every conceivable kind of trick”.[10] With little else to occupy his thoughts after a life as a tradesman or merchant, Pantalone is the metaphorical representation of money in the commedia world.

Source: Pantalone – Wikipedia

Page 1 of 51

Powered by WordPress & Theme by Anders Norén