Tim Boucher

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Art Books

In honor of my attempts to summon the Painting Angel (which seem to have been successful), I have splurged and bought myself a few different volumes of glossy full color art books, especially from Taschen, and also Flammarion publishers. For the most part I am looking at a few French and Spanish painters working about 100 years ago, because I am very into that time period lately. There seem to be so many parallels, and 100 years ago is not very long, especially generationally speaking.

Anyway, one thing I’ve pleasantly rediscovered after lapsing in my painting practice for a few years (apart from the occasional random project), is that when you look through art books in this exploratory kind of fashion, you don’t necessarily know what you’re looking for. You have an intuition, a feeling, a kind of line work, a color mood, a way of treating painted subjects. You follow it, but then the artists show you more of the latent space, more of the hypercanvas than you knew existed before. And it broadens you. So much so, that when you get back to the canvas the next time, you’ve learned things you don’t know that you learned, and that you didn’t even really know consciously you were looking at, or looking for.

It’s a really pleasant process, and making a routine of it all makes my heart happy. It gives a new focus and intent to how I spend my time, what I look for, and the types of things I explore. Instead of just being ricocheted back and forth between stupid things on the internet that will most assuredly be gone in a hundred years.

Going Offline

In my on-going quest to escape the Cone of Light, I have been experimenting with going offline on the weekends. It’s been excellent, a relief really. I feel like the web and apps and chats and all the other stuff is so deeply engrained into your brain… if you think of something, you have to go Google it, or tell your friend, or… it goes on and on. It gets way way way deep inside your brain. It’s there all the time, coiled and crouching, dragging you ever deeper into the Cone of Light.

Maybe the tectonic plates in my subconscious were just already all lined up for this, fertile ground for the moment, but the outward sign I can point to is my decision many weeks ago now to block most images and videos. To prevent the Cone of Light from firing off certain endless signals into my awareness. Things I don’t need and can’t use. Images that don’t concern me. Fights that aren’t mine. Land grabs in the mind. No thanks, let me be. I will abstain.

The IRL-only weekends game has showed me that I probably spend way too much time chiseling away on random bullshit that goes nowhere, is not necessary, and either doesn’t actively aid me, or potentially even acts as an impediment to further movement, to the ability to think deep long slow thoughts. To not be chained to the screen, constantly checking. Constantly checking, and finding nothing. Blips. Bloops. Nothing. Computers that want me to do something. To drive my behavior. To fit me into a box. An algorithm. One not my own.

I’m still painting nearly every night, and loving that so much too. Makes me reconnect with all these deep parts of myself… I had the experience recently, a few days ago – I’ve been meditating 20 minutes twice a day for a little under a year now – where I was meditating, and dropped into that sort of hypnopompic/hypnogogic image realm, the same one I think we visit or adjacent to Dreamspace. I found myself in my mind before a painting. There was orange on my brush, and I was adding line work to the upper left corner. I could see sort of flashes of impressions of what the whole canvas was, but not clearly.

Since then, I took that impulse, that basic gestalt feel, and tried my best to put it down onto real canvas. It didn’t come out exactly (or remotely) like in my inner vision… or did it? Aspects of it are true and right, and somehow lock us into the same latent space, or one at least at points contiguous to it.

I wonder if this inner vision didn’t bubble up unbidden suddenly because of turning down the luminosity on the Cone of Light, and re-showing my brain, my heart, my nervous system, that the web does not control it. That there is life outside internet. That there is too the Innernet which wells up to replace it when you can step away, give yourself the space to feel and to listen for the mystery.

2 Dystopian MAGA Election Image Sets

I realized that I never published two pretty good sets of Midjourney images made a few months ago, both of which center around imaginary/disinformation images around the US 2024 election. I believe these were still v5 of Midjourney (back before I got banned).

The first is a collection of images where MAGA/Trump supporters have heeded Trump’s call to go out and occupy polling places ahead of the election, under the ostensible pretense of “security” but with the actual aim of intimidation, and in some of these pictures, violence (see the tear gas pics).

Here are a handful of the much larger set, which is probably around ~90 or so images, give or take.

The second set builds on the first, and more explicitly depicts another insurrectionist assault by paramilitary MAGA forces acting under the orders of Trump to violently take over key places in Washington, DC and New York City. (archived)

I actually think it is fundamentally dystopian that the technology exists which can so easily spin up photographic evidence from non-existant (yet) parallel realities. Why exactly do we want to have this capability from our technologies again? How does this lead to anything other than social and political chaos at scale?

Painting Again

I started painting again and am having a lot of fun getting back into it.

The colors look a little weird on screen as this isn’t the best photo ever, but it will do for now. This is all done with a liner brush because I lover those. I forget the size, maybe 16″ x 20″ or thereabouts. I’ve done a number of other ones since then.

I actually feel like I learned a lot about “regular” art making by using AI so much. Something about using the painting tools in this case to sort of systematically explore a certain neighborhood and adjacent areas in latent space. These paintings are also very algorithmic in the decision-making process as I go, but applied through a sort of highly organic filtering. (I don’t know if anyone else can see it, but there’s a very subtle nod to the Sorcerer in the Trois Freres cave in France.)

I tried uploading this to Dalle3 and asking it to make similar images but it really choked. It was like it fundamentally failed to see what makes this unique and interesting and turned it into just AI “churt” is a non-word that springs to mind to describe the kind of non-art that it churned out in response. It’s interesting especially because to me the line-making is very algorithmically (rules) driven, but obviously the system doesn’t think through generating images in a procedural line-by-line build up around preceding forms on a canvas. That’s not how it works at all.

Here’s a sample of what it came up with in response:

It’s not that it’s so terrible to even so terribly far off, but it missed kind of the key point of the entire method I applied: none of the lines ever intersect.

Anyway, I don’t care that much what AI thinks or doesn’t think about this work, because it’s just fun to do it, and it’s helping me to have this to concentrate on, this very practical embodied activity, drawing lines out on canvas. It doesn’t really matter if AI can do it better or faster or more, because the fun is in the sheer act of it, and having nothing and no one interpolating between me and it.

This Is Your God Image Set

Landed on what I think is basically a perfect AI-generated image via Dalle3:

There are a few other good ones in the full set here (archived).

I was also pretty impressed by its out of box ability to create the core of a meme:

It couldn’t get the text clear and legible though, so I found that just taking it into photoshop, deleting that and a few other distracting parts, and then doing a generative fill in Photoshop worked wonders. That allowed me to drop in proper text here too.

Topia Bundle Special Offer

I’m trying out Gumroad’s new option to sell bundles of products together, and am offering for sale at a discounted price a collection of books set in the “Topia” sub-universe of the larger AI Lore books series.

You can pick up the bundle here.

Regular value for the included titles is ~$13 (USD) and this is on sale for ~$8.

Only 10 sets will be sold.

The main books included are three of my best, I think:

Conspiratopia is 100% human-written, fwiw. And it shows the descent of a young man into a manipulative dystopian scheme where AIs are covertly taking over the world, one mind at a time. It’s the book that inspired the rest of the AI Lore books, in effect. Anxietopia and Relaxatopia are probably more like 65% human-written, plus or minus, and they pick up on this tale, but significantly distorting it in strange new directions. Conspiratopia is not illustrated, but the others are. Incidentally, Relaxatopia is the book that got me BANNED FROM MIDJOURNEY. Oooh, controversial!

As a bonus, the collection also includes The Death Machines, which takes place in this Topia world, but is very different stylistically than the others. It also includes the free sampler Postcards from Dystopia to get readers acquainted with other nearby neighborhoods in this multiverse.

Enjoy!

Picasso Banned By His Brushes

[via ChatGPT. Inspired by]

Brushes Fall Silent: Picasso’s Artistic Standoff

In a startling turn of events, the renowned artist Pablo Picasso finds himself at odds with the prestigious brushmaker, Bristle & Co., a revered institution in the late 1800s European art supply world. Following the unveiling of Picasso’s groundbreaking “Les Demoiselles d’Avignon,” Bristle & Co. has declared that their brushes will no longer serve the artist, citing a breach of their ‘community guidelines’ due to the painting’s provocative content and style.

The 1907 masterpiece, known for its raw depiction of nude figures and fragmented proto-Cubist forms, has sparked widespread debate within artistic circles. However, Bristle & Co.‘s unprecedented decision to ‘deactivate’ their brushes for Picasso’s use has added a new layer of controversy, highlighting the tension between artistic innovation and traditional values.

Picasso, unfazed by the ban, remains committed to his artistic vision, famously asserting, “Art is not made to decorate apartments. It’s an offensive and defensive weapon against the enemy.” This statement not only underscores his defiance in the face of opposition but also emphasizes the transformative power he attributes to art.

This standoff between Picasso and Bristle & Co. represents a pivotal battle in the ongoing war between tradition and innovation within the realm of art. It’s a testament to the challenges faced by artists who dare to disrupt the conventional landscape, forcing the art world to confront its boundaries and prejudices. As this saga unfolds, it serves as a stark reminder of the power struggles that underpin the journey of artistic expression, highlighting the delicate balance between creation and censorship in the pursuit of artistic evolution.

Overthrow AI Propaganda Posters

Following on that theme, I’ve still been loving these WW2 style propaganda posters that Dalle3 is able to do, and of course the irony of using the machine to make anti-machine propaganda. Here’s a new set of images on the themes of overthrowing AI, resisting the “digital grip,” reclaiming your mind from “the machine,” and utopian “Life Without A.I.”

There’s something so precious about the juxtaposition of the old-timey style propaganda with themes of resisting AI authoritarian control. It feels so right, and Dalle’s visual treatment really shines in this kind of task.

Just to pick a few of my favorites out of the set:

That one’s incredible.

Everything about that picture is amazing, from the bats in the corner, to what you see in the lurid window. Love it. Here’s one last one for the road:

Check out the full set.

On the Off Manifesto

Came across this the other day, something called the Off Manifesto, which appears to have come out of Spain.

The set up of the manifesto text itself is interesting enough, including text such as:

A substantial part of the digital technology and AI currently being promoted fosters an environment in which human beings are vulnerable, and their freedom and integrity are threatened. They run the risk of having their will conditioned, of not being able to make decisions autonomously and without external interference, of living under a state of surveillance in which intense control is exercised over their lives, or of finding it increasingly difficult to discern the truth.

I like that they seem to be focused at a systemic level over and above merely thinking about the present moral panic over AI. In my mind, AI is just the tip of the iceberg of a much more pervasive and pernicious set of problems posed by technology which we are very much all squeezed into now, from cradle to grave. (And even before the cradle for possibly everyone from this point forward, depressingly?)

So yes, let’s talk about the issues and problems around AI. But let’s not stop there. Let’s cut to the bone. Let’s hack at the root.

From the manifesto:

Given this context, we reject the view that we are facing an inexorable technological determinism of which we can only be spectators. On the contrary, we are convinced that we must act to agree on a framework that can be applied to reduce technological control over humans and in which technological development is at the service of humanity and not the other way around.

There is a lot I happen to agree with in this document, so I will only highlight a few, rather than delineate all of them. This next one from the observations section is a major plotline in my AI Lore books, incidentally:

  • A high concentration in the technology sector, meaning a very small number of companies have a disproportionate amount of power that allows them to intensify the influence they exert over the lives of citizens, conditioning their behaviour, beliefs, and decisions. These companies also hold a dominant position in relation to other companies, and sometimes to nation states themselves. 

A few of these also overlap with my own proposed AI Terms of Service document, like the below:

  • A right to disconnection that guarantees access to services – especially public services – in a non-digital capacity. […]
  • The reintroduction and revaluing of “off” functionality in the design of technological applications and devices, allowing users to consciously switch them on and off.

Again, there’s a lot more here. The document is far-reaching in its aims and proposals, and recognizes that gathering political will to act on such things could be difficult:

We are aware that this is a real challenge for political systems that tend to trust the individual to regulate issues considered private. We are, however, faced with technologies that have the collateral effect of overriding individual freedom and affecting what makes us human. We also understand that economic and geostrategic balances largely depend on technological competitiveness, which discourages any measure that could be perceived as a limitation to technological development. Therefore, this existential challenge demands unprecedented solutions, beyond soft recommendations.

Whatever the level of political action, a paradigm shift will only occur if there is a real mobilisation of citizens that exerts the necessary pressure to put this issue at the top of the political agenda. For the moment, public opinion is more sensitive to the short-term advantages of technological development than to its risks, which are often unknown…

Compare this, of course, to Marc Andreeson’s unhinged ranting against all such tom-foolery in search of the Holy Dollar:

We have enemies.

Our enemies are not bad people – but rather bad ideas.

Our present society has been subjected to a mass demoralization campaign for six decades – against technology and against life – under varying names like “existential risk”, “sustainability”, “ESG”, “Sustainable Development Goals”, “social responsibility”, “stakeholder capitalism”, “Precautionary Principle”, “trust and safety”, “tech ethics”, “risk management”, “de-growth”, “the limits of growth”.

I guess I can see, comparing these two texts, which side I’m on.

Incidentally, having read that only last night, Andreeson’s screed sounded suspiciously at points like the Futurist Manifesto, and evidently he names its author Marinetti in it as a “saint.” The same Marinetti who would later go on to write the original Fascist Manifesto:

Andreessen also calls out Filippo Tommaso Marinetti as one of his patron saints. Marinetti is not only the author of the technology- and destruction-worshipping Futurist Manifesto from 1909, but also one of the architects of Italian fascism. Marinetti co-authored the Fascist Manifesto in 1919 and founded a futurist political party that merged with Mussolini’s fascists.

So that’s weird. (More here on this topic as well.)

In short, it’s nice to see someone taking a not-Andreesen approach to all of this. There are things I’d probably change or emphasize differently in the Off Manifesto, but overall, I’m on.

Quoting reader hate-mail on AI making reading into a “pointless pursuit”

A reader wrote in with this commentary today regarding my AI “books,” and they gave me permission to publish it here on my blog.

To whom it will most likely not concern,

As you so innocently published the following quote, I thought I’d mention a simple truth, within, uttered unconsciously.

“Sufferers will be rounded up and sent to treatment facilities, where they will be forced to “relax” and while away the hours in pointless pursuits fueled by hallucinogenic drugs. Is this the utopia promised by the AIs.”

In caving to the use of AI, thus freely ceding creative conception to a machine, you’ve blindly chosen to birth these self-same, so-called hallucinogenic drugs, and are to blame for leading us, however mindlessly notwithstanding, to the aforementioned “utopia”.

You’ve ushered in the era of reading as a pointless pursuit, where once it offered a modicum of meditative potential.

How many things, did you ever stop to wonder, actually make us distinct in this world? Language, and writing, was our greatest invention. You and everyone out there leaning on the crutch of AI to make up for your lack of creativity, your discontent at an inability to churn out material at as fast a rate as you’d hope … you shoulder the blame. Shame on you.

The quote they are referencing is from the marketing copy for Relaxatopia, which I think it’s safe to assume they didn’t actually read. I do admire people who take the time put down their thoughts and send it out as hate-mail to strangers though. That much at least I can relate to.

This person asked me not to write back to them on the grounds they have nothing more to say. I find that improbable at best, given the above, but will respect their wishes by not going on and on here. I did however use AI to help me make this accompanying illustration, because I don’t have a single creative bone in my body myself.

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