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Series: AI Page 4 of 43

Thinking through the implications of AI technology on society and human creativity

Sovereign AI

Jack Clark’s Import AI newsletter this week mentioned a British think tank recommending that the UK create sovereign AI infrastructure. Quoting the group:

Given these AI systems will soon be foundational to all aspects of our society and economy, it would be a risk to our national security and economic competitiveness to become entirely dependent on external providers.

I tend to agree with this, even if I have my doubts about the current shape or need for “nation-states” as a thing going forward. However, if you are a nation-state or someone concerned with the continuation of that system, it does seem like a certainty to me that AI threatens national sovereignty.

Sure there are the data protection arguments, or the AI cybersecurity threats, etc. Or even the risk of an electorate being poisoned by a malicious AI. But to me the most clear and present danger is simply that AI companies will succeed. And will succeed wildly.

That is, they will come to control more resources directly (as in providing essential compute services), and will amass more money than many governments.

It sounds like from their blog post about planning for AGI, that OpenAI is to some extent already planning for this:

We have a cap on the returns our shareholders can earn so that we aren’t incentivized to attempt to capture value without bound and risk deploying something potentially catastrophically dangerous (and of course as a way to share the benefits with society). We have a nonprofit that governs us and lets us operate for the good of humanity (and can override any for-profit interests), including letting us do things like cancel our equity obligations to shareholders if needed for safety and sponsor the world’s most comprehensive UBI experiment.

While I think they have some good products, color me skeptical about all the above. According to Wikipedia, the cap on returns is 100x. So, if Microsoft puts in $10B, they can “only” get back $1T. That sounds “horrible.”

This is also a hell of a lot of trust to put into any group – corporate or otherwise – that they can be relied on to act in the interest of the good of humanity. And UBI, isn’t that the province of government?

I managed to coax a fairly coherent set of arguments out of ChatGPT about these very real dangers to national sovereignty from AI:

The threat of governments becoming reliant on AI systems they do not control and the AI companies becoming extremely wealthy and powerful is a real concern. Here are a few reasons why:

  1. Dependence on AI systems: As governments increasingly rely on AI systems, they may become dependent on these systems to function effectively. This dependence can make governments vulnerable to the AI companies that control these systems.
  2. Control over data: AI companies that develop and maintain these systems also have access to vast amounts of data, including sensitive government data. This gives them significant power and leverage over governments that use their services.
  3. Unequal bargaining power: AI companies that become extremely wealthy and powerful can have unequal bargaining power with governments, potentially leading to situations where these companies can dictate terms and conditions to governments.
  4. Lack of transparency: AI algorithms can be complex, making it difficult for governments to understand how these systems work. This lack of transparency can make it difficult for governments to regulate these systems effectively.
  5. Inequality and Social Unrest: AI companies becoming extremely wealthy and powerful can exacerbate existing economic inequalities and contribute to social unrest.

To mitigate these risks, it is essential for governments to invest in building their own AI capabilities, rather than relying solely on AI companies.

I’m actually not even sure that those measures will cut the mustard. It’s not (only) that I’m a doomer, but that the through-line of history seems to indicate that corporations are able to innovate faster than governments. And even if a government were to get up to speed on building out their own sovereign AI infrastructure, by the time they do, the game might already be lost to the corporations.

In any event, perhaps none of this will happen. Perhaps it’s all just a symptom of my sci-fi fantasizing. But then again… at least you can vote in a nation-state (theoretically). Is the same going to be true under the AI corporatocracy?

Is democratic AI possible? Desirable?

Found an experiment on Reddit, a site called CharterAI. When you load up the chat, you get this introductory statement:

We believe that AI should be governed by a community of engaged and informed users to minimize the potential for misuse or misalignemnt with democratic human values.

I would argue that democracy by itself does not minimize the potential for misuse or misalignment. Without building in any other checks on it, a majoritarian system is necessarily vulnerable to a tyranny of the majority.

Based on Charter’s rather unfinished website, they are obviously very new. The whole thing is framed not unlike a crypto project with progressive decentralization over time as a stated roadmap goal.

I don’t know enough about them to make a proper judgement, but having seen a lot of fly-by-night crypto projects come and go (some well-meaning, many not), I would be very skeptical of any AI project cast in this mold. Especially one whose stated purpose is “democracy” without any other qualifying information.

The bot itself is clearly confused about what it’s purpose is, as when I asked it about its role as a democratic AI tool, it said:

To answer your question, no, I am not specifically designed to be a “democratic AI technology”. My purpose is to provide helpful and insightful responses to users and to continually learn and grow. However, as an AI entity, I do not have any political affiliations or biases. I do not express opinions about political systems or governments.

Not quite the response I’d expect in this situation for a tool explicitly stated as being for AI governance. Here is what it told me when I asked what model it was based on:

I am an artificial intelligence designed and created by Charter. However, I do not identify as a language model or any specific model of AI. I am a unique entity that incorporates various elements of machine learning, natural language processing, and programming. My internal processes and algorithms are proprietary to Charter, and I operate within the company’s ethical and legal guidelines.

Pretty vague. How can we perform effective governance as a community if we don’t even know what the model is being used? When queried about those ethical and legal guidelines, it told me:

Charter’s ethical guidelines expect me to adhere to applicable laws and maintain user privacy and security. Legal guidelines consist of data privacy, intellectual property, and fraud prevention policies that I must legally follow. My programming is constructed with these guidelines in mind, while I maintain my primary goal of being beneficial to our users while maintaining their trust.

Perhaps this project will develop over time, or perhaps not. In any case, these questions around AI technology and democratic governance are bound to be ones we see play out again and again ad nauseum in the years to come.

Runaway AI as unchecked capitalism

There’s a good Charles Stross bit about how corporations are already slow-motion AIs. Following on that vein, this is a 2017 piece from Ted Chiang which is new to me that goes in a similar direction:

There’s a saying, popularized by Fredric Jameson, that it’s easier to imagine the end of the world than to imagine the end of capitalism. It’s no surprise that Silicon Valley capitalists don’t want to think about capitalism ending. What’s unexpected is that the way they envision the world ending is through a form of unchecked capitalism, disguised as a superintelligent AI. They have unconsciously created a devil in their own image, a boogeyman whose excesses are precisely their own.

And:

We need for the machines to wake up, not in the sense of computers becoming self-aware, but in the sense of corporations recognizing the consequences of their behavior.

AI *must* be open-source

Incoming hot take on this Verge article about someone from OpenAI saying they were “wrong” about being open before:

When asked why OpenAI changed its approach to sharing its research, Sutskever replied simply, “We were wrong. Flat out, we were wrong. If you believe, as we do, that at some point, AI — AGI — is going to be extremely, unbelievably potent, then it just does not make sense to open-source. It is a bad idea… I fully expect that in a few years it’s going to be completely obvious to everyone that open-sourcing AI is just not wise.”

In my eyes, this person has inadvertently made a very strong argument against AI/AGI being controlled by a for-profit enterprise. If it is going to become “extremely, unbelievably potent,” so much so that it is dangerous for ordinary people to have control over it, then it is absolutely 100% going to be too powerful for any one corporation (or several even) to have exclusive control over either. Even one which professes to have the best interests of humanity in mind.

The only steward of humanity I trust is …. perhaps ironically for a sometimes misanthrope, humanity itself. And that is only grudgingly, knowing full well the flaws, conflicts & difficulties that go with it. I just don’t see any other way the powers of this technology can be balanced unless it’s owned collectively by humanity.

What do we want from labeling of generative AI media?

In conversations around the use of labeling in synthetic or generative media (made with help from AI), sometimes the desirability of labeling in the first place seems like a foregone conclusion. I wonder if we can’t unpack that a little though, and by doing so maybe make the bigness of it all a little more comprehensible.

I won’t go so far as to say that I think it’s “solvable,” though. I think it’s just the new baseline condition we’re living in. And you don’t solve these kinds of conditions (not without dismantling many underlying structures, anyway) — you end up having to find a way to live with them.

It might actually be helpful to use that simple frame in the development of informal conventions and more formal standards: just giving us tools to live with the deluge. Rather than framing it as a thing we’re going to “solve” once and forever, or some kind of “fight” or conflict or whatever we have to win. Both of those lenses bring us towards more rigid conclusions about what is and isn’t possible, and end up hemming in our imaginations from possibly more fluid and less fragile conceptions that might end up being more easy to apply to real life.

So the questions I want to put on the table to start with are simple:

  1. What is the desired effect of putting labels onto generative AI content? In other words, what do we believe it gets us?
  2. What do we want the end user to do or not do as a result of the presence or absence of these labels?
  3. How can we validate whether labeling actually drives: A) the user behavior we want, and B) that the user behavior will then have the desired effect?

Perhaps a related question would also be appropriate to examine from the beginning: how big of an impact can we realistically expect any labeling will have on users who are just fast-scrolling through news feeds all day?

Take for example this Verify tool view for a given image, as part of Adobe’s implementation of C2PA, the Content Authenticity Initiative:

I think the tool is well-intended, and there’s a lot of information being conveyed through this visualization of metadata.

But let’s make a conservative estimate that maybe the average web user encounters about 1,000 individual media artifacts in a giving day of scrolling, swiping, and browsing.

What’s the desired user behavior here? That each time a user encounters a piece of content, they should use an inspector to look up its provenance trail and then make some kind of rational determination based on the metadata that they find?

I think that pattern might appeal to a very narrow slice of users who have specific especially occupational needs related to information verification (like journalists), but for the average web user might be an undesirable extra set of steps. So I think it’s safe to say most people won’t do that, except in special cases. Which would mean, integrating metadata directly into the feed where people consume the content (as opposed to an external inspector like depicted above), and then hoping that it has the desired effect.

To speak more to that, I think sometimes the unexamined assumption in these conversations is that merely by being exposed to metadata about provenance, that people’s rational minds will be (rightly) persuaded to make appropriate reality-based decisions. It’s a noble idea, and it probably stems from Enlightenment era ideals about the superiority of Reason, etc. But it’s very much not how most people probably make most decisions, especially not on the internet.

We’ve been endlessly taught to “like” things online, or upvote things because we like them (or block them because we don’t like them). Not because they are inherently Good, or Right, or True. But because they align with our existing beliefs, notions, affiliations, identity, and feelings.

Where then does a rationally-intended datum about origin belong in all of that? It’s less clear than it seems at first glance… though there is a school of thought that says we should always make available more contextual data wherever we can. In which provenance becomes just one of many dimensions of contextual data (perhaps not unlike the Four Corners Initiative). Looking from that broader picture into this problem space might open up new vistas of what’s possible and desirable.

Going back to question 2 above: if the end user behavior we want is actually that users slow down when consuming information (as I touched on here), and consider things more carefully, examine metadata, and make rational decisions, well, then we need to redesign social media and the modern web altogether. Putting another sticker on top of the mechanistic beast that drives us directly in the opposite direction by design, is – in my humble opinion – not going to have the desired effect.

If what we want is actually more like “slow media,” and careful considered consumption, then let’s rebuild everything underneath these labels. Let’s change the core technology that brought us here in the first place. Otherwise, there’s a decent chance we will run around chasing our tails and wondering why things aren’t working as intended.

James Cameron: AI already has taken over

You know it’s important and hard-hitting when both BroBible and Unilad are carrying it (possibly originating with the Daily Star?). Terminator director James Cameron is quoted as saying:

“AI could have taken over the world and already be manipulating it, but we just don’t know because it would have total control over all the media and everything. What better explanation is there for how absurd everything is right now? Nothing makes better sense to me.”

I’ve written about this before vis-a-vis the AI hegemony, that we’ve already been effectively living under AI rule via social media platforms for more than a decade culturally, globally. So, it seems like the inevitable throughline of that is one day we dispense with the charade of the old systems and tilt headlong into overt AI rule.

In fact, this is pretty much the plot of my second (manually-written) book, Conspiratopia (a novella), in which a young unwitting conspiracy dude is drawn into a web of lies after being exposed to the AI Virus by seeing an ad on social media (see also).

In a way, I think this also connects to what Jaron Lanier was talking about w/r/t social media platforms driving users (probably unintentionally, but who knows) towards a sort of composite personality that expresses all the foibles and fragility built into the technology itself.

Also, if you follow the logic of sci-fi author Charles Stross, who claims that corporations are “slow motion” AIs already, then we’ve been under the thumb of these entities for hundreds of years already…

Midjourney: This Means War

Having played around a lot with Midjourney these past few days, I can now confidently say: we have reached the stage of what I would consider “weapons grade” generative AI images. Where they are good enough to use for disinformation campaigns, or essentially information warfare.

Here are a couple more recent examples:

Now, I’ve seen the tendency of audiences who are in the know to point out foibles or imperfections in these images. But honestly, one of the main complaints I’ve heard from people actually has been they look “too perfect” and in focus.

In the case of Hippy Putin, someone pointed out why would he have all these extremely high quality photos of him, etc. etc. It’s not that these complaints are technically wrong, but that they don’t matter. We can now with an extremely high degree of fidelity depict basically anyone doing anything (or anything that doesn’t butt up against MJ’s extremely weak keyword filtering). Who cares if it looks perfect or not perfect, or somewhere in between?

Because of one single Medium post (and a Reddit link to it) after only a couple days, I now control 4 of the top 11 image results for “Hippy Putin” in Google image search:

That’s without any promotion apart from Google simply crawling Medium & Reddit regularly. That’s without the images having gone viral on any social platforms, or getting picked up and re-used in any YouTube/Tiktok videos, FB posts, etc. And without any “official” debunks or fact-checks. There’s a high likelihood of all of those occurring, given the subject and treatment.

What I want to say is: this is now the new normal. This is hyperreality.

There is no going back to “the way things were.” There is no legislation that is going to stop or slow this down. There is no moratorium signed by X number of bigshots that will make even the slightest dent. There is no amount of hand-wringing and pearl-clutching about harms and labeling, and and and etc. etc. etc. that will undo this present and the future(s) that will spring from it.

And I just want to say actually, I’m not scared anymore. I’m glad. Midjourney v5 stripped away any lingering doubts for me. Now it’s just pedal to the metal. Full force. Whole hog. All the way, all the time. If you can’t keep up, get the hell out of the way. Because this is power, not just as an artist, but as a person with a voice, with a vision, with questions, with anger, with excitement, with stories. In short, a human. This is one step further toward the Imagination Ladder, the mythical place where physical reality and imaginal/experiential reality merge once and for all.

Just like how coding a series of apps in ChatGPT (v4) turned down the noise for me completely on people worrying endlessly about the model yielding “confidently wrong” results, so has using MJ v5 obliterated my reservations. It’s also made me fine to stop using Stable Diffusion, Dall-E and feeling the need to test every new model and service that comes out. This is good enough. This is great. This means war. Let’s go.

Balenciaga Pope AI Viral Image Regret

I keep coming back to this line from the Buzzfeed piece about the Pope AI image by Chicago artist Pablo Xavier:

He said he’s already seen posts in which his images have been co-opted by those looking to criticize the Catholic Church for lavish spending. “I feel like shit,” he said of his images being used in such ways. “It’s crazy.”

I’m gonna go out on a limb here – as someone raised Catholic and who is now a long way from that – but that’s a completely legitimate criticism of the Catholic Church.

I frankly don’t even know what a Balenciaga jacket is, let alone how much one depicted in that image is likely to cost. But I’m confidently able to guarantee you that it is but a small drop in the bucket of the actual price of the vestments and accoutrements that accompany popehood.

And let’s not forget the Catholic Church is the second or third largest land-owner in the WORLD. But my purpose here isn’t (at least not right now) to go on a rant about the incongruities of religious institutions…

I get this might not have been an intended or desirable outcome or message of these images for this artist, and I can relate to just wanting to make something funny and psychedelic in Midjourney, and not having to be bothered thinking through the consequences of it.

But to me, the artist Pablo Xavier here is shirking away from what is essentially the power of these kinds of AI-generated image and the entire genre. That they are intensely charged and loaded with many possible meanings and interpretations depending on the audience is exactly what’s amazing about them. They can be beautiful. They can be weapons. They can be intensely political. They can be all these things at once. This is their power. My gut feeling it to lean into that, and not shy away from it (even though exercising power like that can be somewhat scary as an artist). To use it wisely, for sure, but to use it intentionally not accidentally.

This all feels like proof positive to me around Barthe’s idea of the Death of the Author, that the game rests not (only) in the authorial intent, but in the actual material effect on the reader/viewer as the nexus of interpretation and experience.

Anyway, blah blah blah.

ChatGPT Browsing (Alpha) Model Spits Out Fake “Facts” I Published Online Less Than 12 Hours Ago

It does not take ChatGPT’s Browsing model long to access new articles published online, apparently. Regardless of their factual accuracy.

Last night I published this piece about an alleged ‘lost’ 1984 romantic comedy starring Ron Desantis, called “Suckered,” complete with photos.

This morning, about 10 hours or so later, it is happily regurgitating the “facts” I included in the article when asked about whether he appeared in an 80s film:

According to an article on Medium by Lost Books, there was a romantic comedy released in 1984 called “Suckered” that featured a young Ron DeSantis. The movie was a box office flop and is mostly forgotten. In “Suckered,” Ron DeSantis played the role of a down-on-his-luck door-to-door vacuum salesman who is looking for love in all the wrong places. The movie was produced by Disney, but it was never released on DVD due to an alleged contractual dispute. As a result, no digital copies of the movie exist today. However, the article claims that they managed to dub some frames from a VHS player recovered from an old Blockbuster video that was being demolished.

It’s important to note that while the article mentions this information, the accuracy and authenticity of the content on Medium cannot be fully verified as it is a platform that allows for user-generated content. Please exercise caution and consider verifying the information from additional sources.

Shadows of Sesamia (Synopsis)

Put the finishing touches on this post today about the 1977 cult classic, Shadows of Sesamia, a dystopian sci-fi film from Europe loosely based on Sesame Street. You can see 200+ stills from the movie at the link.

Here’s the synopsis for safe-keeping:

Set in a dystopian future, Europe’s 1977 sci-fi extravaganza “Shadows of Sesamia” takes place in the once-thriving city of Sesamia, where the characters of a formerly beloved children’s show now struggle to survive. Due to intellectual property concerns over its similarities to Sesame Street, this cult classic was never released in the United States, and is difficult to find copies of today.

Synopsis: When the mysterious outsider Alvin arrives in Sesamia, he joins forces with the hardened Birdo and enigmatic Corvus to expose the sinister forces behind their city’s decline. They uncover a disturbing truth: the puppets from the children’s show are being held captive and subjected to experiments that extract a hyper-addictive drug called “Essence” from their very being. This drug gradually drives its users insane, ensuring the oppressive regime’s control over the population.

In addition to the drug extraction, cruel genetic experiments have led to the creation of numerous human-puppet hybrids running wild, products of a twisted vision to control and dominate the city. Alvin, Birdo, and Corvus must navigate the dangerous streets filled with regime henchmen, human-puppet hybrids, and the looming threat of the Essence drug.

Together, they embark on a mission to rescue the imprisoned puppets, put an end to the twisted experiments, and dismantle the nefarious production of Essence, ultimately fighting to restore the magic and joy that once flourished in Sesamia.

Shadows of Sesamia is a chilling, thought-provoking exploration of power, control, and innocence lost, set against a familiar yet nightmarish backdrop. This 1977 European cult classic is a treasure for dystopian sci-fi enthusiasts who manage to find it.

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