Category: Other Page 133 of 182

Fable is a literary genre: a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrates or leads to a particular moral lesson (a “moral”), which may at the end be added explicitly as a pithy maxim or saying.

A fable differs from a parable in that the latter excludes animals, plants, inanimate objects, and forces of nature as actors that assume speech or other powers of humankind.

Source: Fable – Wikipedia

In the past, when many physical phenomena were not well understood or when histories were not recorded, myths often arose to provide etiologies. Thus, an etiological myth, or origin myth, is a myth that has arisen, been told over time or written to explain the origins of various social or natural phenomena. For example, Virgil’s Aeneid is a national myth written to explain and glorify the origins of the Roman Empire. In theology, many religions have creation myths explaining the origins of the world or its relationship to believers.

Source: Etiology – Wikipedia

“Factory” (from Latin facere, meaning “to do”; Portuguese: feitoria; Dutch: factorij; French: factorerie, comptoir) was the common name during the medieval and early modern eras for an entrepôt – which was essentially an early form of free-trade zone or transshipment point. At a factory, local inhabitants could interact with foreign merchants, often known as factors.[1] […]

A factory could serve simultaneously as market, warehouse, customs, defense and support to navigation exploration, headquarters or de facto government of local communities.[…]

Originally, factories were organizations of European merchants from a state, meeting in a foreign place. These organizations sought to defend their common interests, mainly economic (as well as organized insurance and protection), enabling the maintenance of diplomatic and trade relations within the foreign state where they were set.

The factories were established from 1356 onwards in the main trading centers, usually ports or central hubs that have prospered under the influence of the Hanseatic League and its guilds and kontors. […]

Because foreigners were not allowed to buy land in these cities, merchants joined around factories, like the Portuguese in their Bruges factory: the factor(s) and his officers rented the housing and warehouses, arbitrated trade, and even managed insurance funds, working both as an association and an embassy, even administering justice within the merchant community.[2]

Source: Factory (trading post) – Wikipedia

Douwe van Hinsbergen, a geologist at Utrecht University in the Netherlands, has been exploring one of the most dramatic of these lost continents — known as Greater Adria. In a paper published in early September in the journal Gondwana Research, he and his colleagues studied rocks around and beneath the Mediterranean Sea to reveal the full extent of Greater Adria for the first time. “It’s enormous! About the size and rough shape as Greenland,” he says.

If you don’t recall seeing Greater Adria on a map, there’s a reason for that. It is completely buried — not under the ocean, but beneath southern Europe. About 140 million years ago, the two continents began to collide. Greater Adria got bulldozed and buried in the process and mostly sank beneath what is now Italy, Greece and the Baltics. […]

Van Hinsbergen notes that rocks from Greater Adria got scraped off and incorporated onto the Alps, while whole chunks got embedded in southern Italy and Croatia. Even the parts of Greater Adria that got shoved dozens of miles down into the mantle, the layer below the crust, continue to influence modern Europe.

Under tremendous heat and pressure and over tens of millions of years, limestone rocks from Greater Adria turned into marble. Friction between Greater Adria and Europe then pulled the sunken rocks back to the surface, where people found them and mined them. “That’s where the marble came from that the Romans and the Greeks used for their temples,” van Hinsbergen says.

Source: Real-life Atlantis: Lost continent found under Europe is revealing Earth’s missing history

The Po Valley has had traces of inhabitation since at least 780,000 years ago, when the first big glaciation of pleistocene took place. Sites like Monte Poggiolo may have served as refuges of human populations fleeing the terribly cold conditions of northern Europe during the subsequent glaciations along pleistocene [14] The valley was covered by sea level in warm times, but glaciations could cause a lower sea level that allowed big mammals and humans to migrate from Africa and the Middle East to central and western Europe through an empty and open Po valley, avoiding the barrier of the Alps, reaching the Loire Valley, and Iberian Peninsula, and then, when glaciation retreated, the rest of continental Europe.

Urban development began in the Po Valley much later than in southern Italy or Greece. The first known ancient inhabitants of the thick forests and swamps were the Ligurians, an Indo-European race of people. After the progressive immigration in the 7th century BC of Celtic peoples known as the Insubres (hence the name of Insubria sometimes being given to northwestern Lombardy), the southern and central regions were conquered and colonised here and there by a pre-Indo-European people, the Etruscans, who left names such as Parma, Ravenna and Felsina, the ancient name of Bologna. The Etruscan domination left significant marks and introduced urban civilisation, but was short-lived. As the 5th century BC dawned, a new Celtic horde swarmed through the passes of the Western Alps and conquered most of the Po Valley. This invasion from the north did not reach Veneto …

Source: Po Valley – Wikipedia

As for the place, Hesiod asserts that a bronze anvil falling from heaven would fall nine days before it reached the earth. The anvil would take nine more days to fall from earth to Tartarus.[5] In the Iliad (c. 700 BC), Zeus asserts that Tartarus is “as far beneath Hades as heaven is above earth.”[6] Similarly the mythographer Apollodorus, describes Tartarus as “a gloomy place in Hades as far distant from earth as earth is distant from the sky.”[7]

Source: Tartarus – Wikipedia

The first settlements built in the area are of Venetic origin, during the twelfth to ninth centuries BC, consisting of stilt houses in the wetlands, that were then still close to the sea. At that time the main stream of the Po, the Adria channel, flowed into the sea in this area. The Villanovan culture, named for an archaeological site at the village of Villanova, near Bologna (Etruscan Felsina), flourished in this area from the tenth until as late as the sixth century BC. The foundations of classical Atria are dated from 530 to 520 BC.[5]

The Etruscans built the port and settlement of Adria after the channel gradually started to run dry. During the later period of the sixth century BC the port continued to flourish. The Etruscan-controlled area of the Po Valley was generally known as Padanian Etruria,[6] as opposed to their main concentration along the Tyrrhenian coast south of the Arno.

Greeks from Aegina[7] and later from Syracuse by Dionysius I colonised the city making it into an emporion. Greeks had been trading with the Veneti from the sixth century BC at least,[8] especially the amber, originally coming from the Baltic sea.

Source: Adria – Wikipedia

https://www.youtube.com/watch?v=9IHYgXheYJA

During the years Jung engaged with his “nocturnal work” on Liber Novus, he continued to function in his daytime activities without any evident impairment.[10] He maintained a busy professional practice, seeing on average five patients a day. He lectured, wrote, and remained active in professional associations.[11] Throughout this period he also served as an officer in the Swiss army and was on active duty over several extended periods between 1914 and 1918, the years of World War I in which Jung was composing Liber Novus.[12] Jung was not “psychotic” by any accepted clinical criteria during the period he created Liber Novus. Nonetheless, what he was doing during these years defies facile categorization.

Jung referred to his imaginative or visionary venture during these years as “my most difficult experiment.”[13] This experiment involved a voluntary confrontation with the unconscious through willful engagement of what Jung later termed “mythopoetic imagination”.[14][15] In his introduction to Liber Novus, Shamdasani explains:

“From December 1913 onward, he carried on in the same procedure: deliberately evoking a fantasy in a waking state, and then entering into it as into a drama. These fantasies may be understood as a type of dramatized thinking in pictorial form….” […]

Jung, she said, “made it a rule never to let a figure or figures that he encountered leave until they had told him why they had appeared to him.”[20]

Source: The Red Book (Jung) – Wikipedia