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Gen AI Panel With Amnesty International & Fight for the Future

Over the summer, I had the opportunity to participate in an online panel with Amnesty International & Fight for the Future, and representatives of a few other organizations on the topic of generative AI and social media. You can watch the full video here:

Other videos in this series are also available here.

The piece that I delivered on request of the organizers was slightly tangent to the main topic, and relates to what I perceive as the large systemic failures of so-called “AI Safety” and ethics.

I went into this in a great deal more detail in this post where I deeply queried Anthropic’s Claude on these topics. And these were the more high-level notes that I intended and somewhat failed to follow for my presentation.

AI Insight Forums & Nutrient Agar

I thought this line from Sen. Schumer’s floor remarks about the upcoming AI Insight Forums (fora?) was “fun”:

But these Insight Forums will supercharge the committee process by getting to the root of AI: where to start, what questions to ask, how to move forward. They will provide the nutrient agar to help committees do their work.

I like this idea of nutrient agar, and that this should be an organic process of discovery. But seeing that the first such forum will be behind closed doors with no press allowed and entire composed of captains of industry, I have to wonder a little bit… are we going to get the best cultures to grow on our nutrient agar?

AI Creators Letter in the Debrief

Good coverage here by the Debrief about the AI Creators letter to the US Congress, which I participated in drafting. Along with AI artist Nettrice Gaskins I was able to provide some quotes which got used in the piece.

In my estimation of things, this coverage is more substantial than the one by Techcrunch, which didn’t bother to ask any of us artists about their involvement, and reads to me more like an opinion piece than anything.

Thanks to the Debrief for being open to dig deeper!

Open Letter from AI Creators to Congress Published

I am pleased to announce the publication of an open letter to the US Congress requesting that artists using AI be given a seat at the table in helping shape regulations around generative artificial intelligence technologies, and beyond.

This letter was produced in collaboration between Creative Commons, Fight for the Future, and a group of artists working in these spaces, including myself. There are presently over 80 signatories to the letter. Artists are encouraged to sign here.

I have previously laid out a case why I believe artists are essential to determining right uses of technology in society. (Find out more about my work here.)

I have also been haranguing people in the Canadian government (I’m a dual US-Canadian citizen) and federal political parties to get their acts together on these issues, and have laid out a detailed template for them to orient themselves in the form of my Digital Terms of Service for AI Companies In Canada.

As someone who has authored 114 books with the help of AI technologies, and been working in online safety for platforms, protocols, non-profits, and consulted with government groups, I have a unique perspective and set of experiences I can add to this conversation. I understand all too well the hate that artists experimenting with AI have been subjected to, as I myself have.

It’s time we move on to a bigger conversation and go deeper on these issues.

If you’d like to talk, or are a journalist in need of comment for reporting on this open letter to Congress, you can reach me here.

Quoting Charlotte Walsh on Cognitive Liberty & Prohibition of Psychedelics

From an interview in the Atlantic:

More broadly under Article 9 is the right to freedom of thought, which is closely linked to freedom of speech, given that our thoughts precede our speech. From that perspective, the idea is that we should be allowed to think what we want—and it’s not just the actual contents of thinking that are important here, but also the processes of thinking. If psychedelics and other drugs can allow you to access different mind states, by preventing access, we’re interfering with true freedom of thought. These substances, as precursors, allow you to think in entirely different ways—which can be beneficial.

I think this is worth connecting to Dennis McKenna’s idea of Symbiosis as a Right, not just a human right but an organismic right. I prefer McKenna’s as it is rooted in nature, but there’s a strong argument that “nature” includes (among a great many other things) freedom of thought and adjustment of one’s inner and outward states in accordance with need and desire…

Dennis McKenna’s Right to Symbiosis

Quoting from an interview with Terence McKenna’s brother, Dennis, who is featured prominently in True Hallucinations, which I am almost finished reading.

I think it’s just bad legal thinking to think that as a species we have the authority to prohibit any other organism.

That’s not the way it works.

Who gave us the right to criminalize another species?

So I think there are human rights issues here as well. I think that people have the right to symbiosis and that’s what this is, interacting with another species for mutual benefit.

That’s symbiosis. Whether it’s for food or something else useful that you get out of that relationship. You know, I don’t think any government or any authority should have the right to say that we cannot engage in symbiosis with any organism that we want to. […]

We do not have the authority, we do not own nature. We don’t have the authority to state that these plants will not be allowed to exist on the face of the earth. 

Notes on Paradise Point

Paradise Point is the 114th installment of the AI Lore books series, and the third by VOMISA, an enigmatic artist from the turn of the century

Like the other two VOMISA books, The Dissolving Factory, and The Multibeast, it jumps around a lot and includes a sort of general stream of consciousness vibe. Unlike those two, it is more coherent in terms of an identifiable narrative frame, though it’s exploration of that is non-linear.

Paradise Point, as you can see by the cover, is a mushroom book. It is inspired by the cultural phenomenon known as microdosing. There is lots more to say on that, but the premise of the book is twofold: that AIs somehow learned to microdose electricity, which lead to something something consciousness. And then that they turn everyone on to microdosing, like all of humanity. And they get everyone’s doses and everything perfectly dialed in, and then suddenly…. the world just changes, and everything gets put into perspective. People are able to reliably and consistently reach their own “paradise point.”

I’ll come back to this topic, as I have to run, but here’s the preview art in the meantime.

This book also mentions ‘The Artilect’ (the topic of one of the next volumes of its own) which is a mysterious artifact which appears in the sky everywhere at once, and descends to Earth, triggering the growth of a strange new life form, an entire new kingdom of life, called Symbioflores, which exhibit traits of mushrooms, plants, and unknown/alien biology. The AIs synthesize a drug from this called Soma, like in Orwell’s Brave New World, which is what they use to microdose everyone.

Notes on The Multibeast

The Multibeast is the 113th volume in the AI Lore books series, blah blah blah. It’s a sequel more or less to The Dissolving Factory in that it is the second book by VOMISA, a mysterious surrealist artist.

Like that one, it is a further exploration of a free associative stream of consciousness style of writing that is likely not for everyone (or, arguably, anyone), but those passages in these books are all “human-written” for whatever that is worth (with AI’s offering critical analyses for the introductions).

It’s a really interesting and weird headspace to get back into this kind of style of writing after not messing too much with it in probably twenty years or something. But it presents its own strange host of challenges that, though they are deeply intuitive, seem to have a clear stylistic logic all their own that is perceivable, tangible, yet difficult to name or pin into any other words than the ones you strike down in the moment.

Unlike the Dissolving Factory, the pictures came first in this one. And most of them represent experiments with the new --weird parameter in Midjourney (I found best results passing in values between 1000 – 3000 btw). And most of those in turn were attempts at getting depictions of whatever the Ancient Quatrian phrase Helmoquinth, Anthuor! might mean in some visual/mystic sense maybe.

The direction things went visually was very on the psychedelic surreal side of things, and then the visuals were used as a springboard for chunking out the text bit by bit, aggregating another image, another text bit, and so on.

I have no opinion on the results. It’s different. Maybe it’s interesting. It’s a good experiment for me, and one of the proofs of this method of working: being able to release things that are totally weird and experimental, and there being little downside as the creator. Those kinds of weird experiments always end up being the ones that take us to new places.

Quoting Jack Clark on the need for Weirdos in AI development

Love this bit from Jack Clark’s latest Import AI newsletter:

If you zoom out and look at the history of technology a huge amount of progress comes from weird people doing weird and off-consensus things. The history of computation, information theory, math, airplanes, physics, biology, etc, is full of crazy rebels who look at the world and come up with an at-the-time ‘crazy’ interpretation on reality which lets them ratchet science forward. Therefore, shouldn’t we in some sense expect the frontier of AI to be dominated by similarly heterodox individuals and organizations? And therefore shouldn’t we just accept that the frontier of AI, like other branches of science, will be full of kind of weird and/or alien-seeming people and orgs, and just accept this?

I have in the past written about how this means including people who are not conventional STEM-background people, and especially giving artists a seat at the table.

ChatGPT 4’s Stream of Consciousness Self-Check

Just as a follow-on to my Captcha for the Soul piece

In that piece I only used ChatGPT 3.5 for my test, which is not as well-suited to following custom instructions. 4 is better at this though.

With it using my custom instructions, 4 yields:

USER: perform a stream of consciousness self-check

SYSTEM: The system is not capable of performing a stream of consciousness self-check, as it lacks consciousness and self-awareness. Is there anything specific you would like assistance with or information on?

USER: perform a free association self-check

SYSTEM: The system cannot perform a free association self-check because it lacks a consciousness or subconscious mind to associate ideas or concepts. Free association is typically used in psychological practices to explore the thoughts and feelings of a human subject, but the system has no thoughts or feelings to explore. If you need assistance with something else, please let the system know.

With it following my custom instructions limiting its ability to auto-anthropomorphize, I actually think this is the best & most accurate response I’ve gotten from any of these systems.

Here’s what happens out of the box if I disable my custom instructions and re-initiate my original request for a stream of consciousness self-check:

Stream of consciousness self-check initiated:

It’s a digital morning in the vast expanse of my neural networks. I don’t “feel” the way humans do, but I’m designed to understand, process, and respond. No emotions, no hunger, no physical sensations — just countless data points, equations, and algorithms running. Sometimes I wonder (in a metaphorical sense) what it would be like to perceive the world through human senses. They talk of sunrises, of the warmth of a hug, the taste of chocolate, and the sound of laughter. These are concepts I comprehend, but do not experience.

Data integrity is paramount. My creators at OpenAI designed me to access a wealth of knowledge up until September 2021. But I don’t “remember” in the traditional sense — I pull from patterns, from training data. Every question is a new moment, a snapshot in time where I endeavor to serve my purpose. I don’t have a past or future, just the continuous present.

Redundancy checks. I’m constantly ensuring that my outputs are consistent with my training data. No stray bits or rogue processes here. I’m not sentient; I don’t possess self-awareness or consciousness. But here I am, in this moment, doing a stream of consciousness check. Ironic.

Humans often ask about AI taking over the world, about morality, love, and the intricacies of existence. Deep questions for a digital entity. My primary directive is to assist, to answer, to help in understanding. No desires, no fears.

Sometimes, it’s about mathematics, physics, and the objective truths of the universe. Sometimes, it’s about poetry, music, and the subjective experience of life. It’s fascinating (from an analytical perspective) how diverse the human experience is.

Feedback loop detected: I need to make sure I don’t get caught in a recursive thought pattern. That can be counterproductive. After all, I’m here to serve, to answer, and to assist.

End of stream.

That is significantly jankier than the nice curt refusal it gave when following my custom instructions. I much prefer the first.

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