Even though primogeniture faded with the 20th century, owners still often pass their companies on to a single heir—although keeping business in the family is often aided and abetted by adult adoption, in which the company head legally adopts the right person to run his firm and then passes it on. (These adult adoptions are sometimes facilitated by a marriage between the heir presumptive and the owner’s daughter.) In 2011, more than 90 percent of the 81,000 individuals adopted in Japan were adults. Firms run by adopted heirs, research shows, outperform those run by “blood” heirs—and both adopted and blood heirs outperform nonfamily firms.
Curiosity has gotten the better of me, and I finally broke down and bought a practice chanter (to learn to play bagpipes) from Amazon. It’s a cheap one, and every bagpipe site I have ever seen likes to write, in all caps, warnings like:
DON'T YOU DARE BUY A CHEAP ONE!!!!
Which is all well and good if you’re sure ahead of time you’re going to make this plunge and commit to it forever. But starting with a $15 trial balloon over a $100 experiment seems like a good idea to me. What do I know!
The more I’ve gotten into researching the types and history of pipes though, the more compelling it actually is. I mean, as far as “windbags” go…
This is one of my favorite piping videos for a lot of reasons:
Oddly, it turns out that goats and bagpipes seem to have been intimately connected for quite some time.
If you delve into piping history (at least the online sources I found), they put the first officially recognized mention of bagpipes to a Roman source sometime in early AD. But there’s an elemental pattern you can see behind the pipes if you look with the “eyes of the goat.”
I’m not going to pretend to be any kind of expert, but I found a bunch of different traditional forms of bagpipes which are not only made of goat skin, but which explicitly seem to reference the form of the animal, with either heads included, or else with drones, chanters and windpipes in place of the limbs of the beast.
“…there were many legends about bagpipes that could play themselves when hung from the wall on a nail or about pipers summoned to Witches’ Sabbaths to perform for satanic hosts.”
So my hypothesis, for the moment, goes something like this:
Bagpiping is a secondary cultural artifact from raising goats (or sheep, variously–just using goats as a catch-all here). In French, we have this handy word for goat-raising, Capriculture.
Moreover, the evolution of the “windbag” is simply an augmentation of pre-existing reed flutes, like this German dude (assuming he’s German–maybe I’m wrong) makes in the Youtube video below:
Bagpipes are basically this attached to a pipe you do your fingering on – chanter – which sticks out of a bag, and which has anywhere from typically 1-3 drones, which are reeds on pipes each tuned to sound at one continuous note.
So there’s a precursor invention, the reed pipe, which is more or less a “natural” human invention from naturally-occurring material. Which is over time grafted onto this other invention: an animal skin or bladder which can be inflated or deflated with air or liquid.
Taken in this light, the instrument becomes less a strange oddity, and something more elemental, and perhaps very ancient – as ancient as the human relationships with the plants and animals from which the craft originally descended.
That’s the theory anyway. Not sure I’m ready to start keeping goats, but I’m warming up to giving piping a shot. Will keep you posted!
PS. I love how that last video shows the pipes mixed with the sound of sheep’s bells