Have been thinking a great deal on the similarities between folklore and conspiracy theories, as being grassroots stories we tell ourselves and one another to make sense of the world. I maintain that folklore, conspiracy theories, and what we call “disinformation” etc. are all part & parcel of the same phenomenon: the hyperreal, where the blending of fact & fiction are seamless and more or less indistinguishable.
Have also been reading Corkery’s excellent 1924 classic, “Hidden Ireland,” which has lead me to fill in a lot of gaps around my knowledge of Irish history, such as the Flight of the Earls, the Plantation of Ulster, the Tudor Conquest of Ireland, the decline of the Bardic Schools, and so on. There’s a story in Irish history which was used for centuries to establish or challenge the legitimacy of rulers, that of the founding of Ireland by the quasi-mythical Milesians.
From the Wikipedia:
Professor Dáithí Ó hÓgain writes that the “account of how the sons of Míl took Ireland was a literary fabrication, but it was accepted as conventional history by poets and scholars down until the 19th century”.[3] For centuries, the legend was used in Ireland to win and secure dynastic and political legitimacy. For example, in his Two bokes of the histories of Ireland (1571), Edmund Campion tried to use the myth to establish an ancient right of the British monarch to rule Ireland. […]
Geoffrey Keating‘s Foras Feasa ar Éirinn (written c.1634) used the myth to promote the legitimacy of the Stuart claim to royal authority in Ireland (related to the origin of the Lia Fáil), demonstrating that Charles I was descended, through Brian Boru, Éber and Galamh, from Noah and, ultimately, from Adam.
Whether we call this narrative warfare or just another example of the hyperreal, the end result is the same: people using stories – and changing stories – to justify their own position or to attack the position of another. It all sounds eerily familiar, and it’s clear how deeply penetrating these types of stories can be as guiding myths in cultures.