Tim Boucher

Questionable content, possibly linked

Ask An AI Guy: Handling Criticism & Pen Names As An AI-Assisted Writer

A reader sent me the following question, and gave me permission to post it and reply publicly here.

I found your Newsweek article from 2023, and it eventually led me here. I recently finished a 131,000-word manuscript using ChatGPT as a collaborator. While it’s not at a releasable quality yet, I’ve seen how AI can enhance creativity when paired with significant input.

I’m now breaking that manuscript into an into triloigy of 80,000-85,000 words for each book My process involves using AI to fill in smaller details while I focus on the larger creative elements. The result feels unique even compared to over 300 sci-fi books I’ve read.

I see a fair amount of backlash AI-generated work has.

Given your experience, I’d love your perspective:
• How do you handle criticism or backlash toward AI-assisted writing?
• Do you recommend addressing it directly, or letting the work speak for itself?
• Is using a pen name a good strategy, or does transparency have more value in this space?

AI is allowing me to channel creativity I wouldn’t have been able to do so otherwise. I have no idea where this will take me. Your thought would mean a lot as I continue this journey.

So I should preface this by saying I’m probably a very hard-headed person, or else the torrents of shame and hatred people have tried to rain down on me for doing what I am artistically would be maybe a bit too much to handle. Second, I also spent many years working in content moderation, and handling complaints for a platform. This habituated me to dealing with “anger at scale” and seeing philosophically but also very concretely how, no matter what happens in the world, and where you’re sitting in relation to it, there is no shortage of unhappy people who will come in and shit all over it. This is just what people do, and the world we live in. Everybody’s mad because everything sucks, and I’m obviously no different.

So I guess you could say I’ve had a lot of training and conditioning in dealing with this sort of vitriol. To the point where I pretty much don’t take any of it seriously anymore, and years ago gave up being the guy whose job is to try to somehow sort out and make sense of everyone else’s anger and frustrations. It’s just not my responsibility anymore – and it once was, so I know concretely and cleanly the difference, which might be harder to sort out if you’re new to this kind of extremely strong reaction what you’re describing is likely to engender.

So, more specifically, one concrete way I handle criticism is by not posting on social media accounts. If something of mine comes up on one of those networks, I might pop in as a guest and see what I can of the comments to understand what people are saying, and what their perspectives are, but I never try to engage people on those platforms, because it’s just not worth it. Angry people always feel they are right and justified in their anger. And they are emboldened when others do the same, so you can’t win in the places they congregate, imo. That’s why instead, I just write what I write here on my blog. Sometimes I respond to things I find elsewhere, but there are no comments here, so people can’t come here and dogpile me, and I am able to think in peace. People can, of course, follow links to email me directly. But I’ve never had a single person sit down to write me a thoughtful email that was angry or even a critique. Everyone who emails is curious and interested, so I take those kinds of communications to be much more important and valuable because they are person to person, and they are not social performance designed to enrage and attract likes.

I tend to address the criticisms directly when they seem interesting or spark a new way of thinking about these issues. And I agree there are issues with these technologies, a great many of them, and have spent a huge amount of time talking about them on my blog, in panel discussions, interviews, podcasts, etc. So yes, I think – for me, anyway – addressing them directly is important and necessary, and helps frame the conversation in better directions, even if these blog posts don’t garner likes on social media.

As to pen names, I think it depends on what your personal preferences and tolerances to criticism are. Because of my prior work handling complaints, moderating content, working in privacy/data protection, I didn’t put photos or video of myself online for years and years, and was extremely protective of my identity. Because I knew what kinds of horrible things people are capable of online. But then, eventually, I had the chance to talk about what I was doing, and if you want to play ball in the media, you have to use your face and your name, pretty much. Maybe there’s a way to get press anonymously or pseudonymously, but I think it be more difficult and greatly reduced compared to what I’ve been able to do by exposing myself and my person. I think also there’s something to be said for not being cowed, not being shamed or shouted down from the raging mobs, and simply being like, yeah, this is me, this is an art experiment I’m doing, etc. I’m not forcing anybody to like it, but I’m being true to my part of the dance, following my inspiration, battle testing the tools, finding the good and bad in all of it, and just sharing and being upfront about it.

That said, using another identity as a shield can be a very very good thing psychologically, and for other practical reasons. One benefit can be that it gives you a kind of mental distance – almost a ‘plausible deniability’ – for when the angry hordes come for you (and they will if you’re upfront about what you’re doing). This helps you to see that the people are reacting to the front you’re putting up about what you’re doing, and lets you get less hung up on reacting to like, oh they’re reacting to ME!! and they hate ME!! Like, okay, sure, they might “hate you” in the way that internet people hate everything, all the time, for any or no reason. But the people who complain most about my work haven’t read any of it, haven’t really read any of my articles or blog posts in any depth, haven’t listened meaningfully to my podcast or panel appearances, and haven’t actually engaged with anything I’m saying. They’re generally just reacting to a headline, and – dare I say – repeating popular talking points they heard elsewhere about why “AI bad” and how I’m just another example of ____[thing they already hate].

So, anyway, I don’t know if this is inspiring or even helpful or not, but it’s at least a true accounting of my experience. Your mileage, as ever, may vary.

Anyone else have any questions, feel free to email me, and assuming that’s okay with you, please provide permission to use the text of your email publicly. I will redact any personally identifying information from the text of your inquiry.

Cheers!

1978 War of the Worlds Musical

There’s a musical version of War of the Worlds from 1978 and nobody ever told me??? And it’s kind of awesome? Here’s the song I heard last night for the first time, am listening to the whole thing rn. Recommended.

If you like this genre, also check out Starmania, from Quebec, two years before in 1976. Happy New Year or whatever!

Quoting Jeff Koons On Not Using But Actually Using AI in Art

This article pretty much makes no sense, from the Guardian on Jeff Koons. First it quotes him as saying:

“I wouldn’t – for my own base work – be looking at AI to be developing my work.”

And then it turns around and quotes him saying exactly the opposite:

“I do not work with AI at this time directly other than to produce options. Here’s this table: could I see this table in a wood? And then, could I see this shape in, you know, a marble? I’d like to see it in reflected steel. Only in that scenario. I’ve been using AI as a tool, not as an agent.”

That’s… nonsense?

I don’t actually give much of a shit if Jeff Koons’ work isn’t physically made by him, but by employees and interns working on his behalf. I actually think that’s a historically coherent modality for productive workshops, which I went into a bit more here, and quoted someone from a random thread on Reddit:

To give you a wider explanation, artists worked as traders running workshops as a business. They would hire employees, assistants, and trainees, just like, say, modern plumbers.

So I’m personally fine with that, even if I think that Koons art is pretty much ugly and lifeless. I just think it’s a stupid claim to say you don’t use AI except for… all the times you do during the process.

Elephant Robotics Exoskeleton Controller

This is a couple years old, but seems very cool, from Elephant Robotics:

It’s a two-handed controller exoskeleton that can be paired with robotic arm elements. Watching this has got me thinking: couldn’t I make a low tech version of a wearable two-handed controller that works without any electronics? Like maybe something with some crazy configuration of pulleys, cords, rods, (syringe hydraulics?) etc… hooked up on the other end to a drawing mechanism that can execute the translated movements?

Will Scarlet Drawing Robot w/ “Ohara” Controllers

Wrote recently with pictures from my latest “biobot” called will-scarlet that is a SCARA style robot made from willow branches, and powered by syringe hydraulics (no motors or electronics).

Well, I took that device, and fabricated using a Wen scroll saw and Dremel tool and some experimentation a set of handles to drive the syringe actuators, to be able to more smoothly control the drawing motion. I’m calling them ohara style controllers because I think the will-scarlet >> scarlett-ohara semantic bridge made some sort of intuitive sense, with shades of thematic connection maybe to… flying and O’Hare International Airport? I don’t know – I only work here. I’m just making this shit up on the fly, and trying to keep it all straight in my head.

The ohara controllers anyway came out great, you can see the video sample of the motion and some other images over on this Imgur gallery. Here’s a closeup of the controllers – hopefully Butlerian Jihad-safe:

Notes on Mysterious Plasmoids

Mysterious Plasmoids is the 124th installment in the AI Lore Books series. It is the first book I’ve done in the “Mysterious…” series in quite some time, and is another ‘ripped from the headlines’ hot take on what is happening with the drone/orb situation that is supposedly happening globally (I’ve not seen any anomalies first hand, myself). It also continues in another thematic subset of my books that relate to various aspects of UAP/UFO phenomena. This one heavily references other books in that cluster, if non-linearly.

There’s a vivid dream description of mine which fellow blogger Ran Prieur documented way back in 2005 here. In it I dreamt of a hyper-nationalist/fascist future US where police sirens played the song “America, the Beautiful,” and aliens had invaded in the United States… Excerpt below:

New York City had been divided into northern and southern zones, via a gigantic wall and forcefield. The southern half still had people living and working in it. But the northern half was completely off-limits. The official story was that aliens (space, not illegal) had taken over the northern half of the city, and the rest of the United States northward.

We knew, however, that this officially story was largely a fabrication. But that was all we knew. We had to roam about the lower half of the city, trying to find a passage to the north. And we had to do so without arousing any suspicions, which was an extremely difficult task. No one in the city would answer questions or help us.

And the police presence was total. You had to keep moving at all times. Any group of people who were stopping to talk or otherwise congregate was quickly spotted and broken up by patrolling police. […]

The police also had flying discs which they sent out after you. They were autonomous electronic devices which hovered and would track you as you ran. Once they were within range, they would fire an electric bolt at you to incapacitate you until officers arrived. The discs were called “temperplexes,” and they were all apparently controlled by larger motherships which flew higher and basically looked like UFO’s.

I actually continued that dream and spun out more variations using AI and published it in an earlier volume called, The First Days of Panic. That book, however, takes it visually in a much more fascist police drone direction (which, hell, I wouldn’t rule out just yet), whereas this book more explores the notion of plasmoids as heretofore unrecognized forms of life, which have interacted with us in myriad ways throughout history and prehistory: something more like John Keel’s ultraterrestrials. Are we living in the timeline now of that dream? Maybe?

Whatever the true nature of the “real” drones/orbs/plasmoids/UFO/UAP stuff that is or isn’t going on in our skies is, I think, a little besides the point; the point is the search itself. The point is the looking, and trying to understand all possibilities, and fit the best bets that seem to match evidence from reality itself.

Or, you know, in this case, hyperreality. Images in this one were mostly made with Ideogram and Recraft, with some dabbling in Grok’s image gen, and screegrabs from Sora videos, plus some remove tool in Adobe Lightroom. Text is majority ChatGPT with many human edits and improvements, told in alternating chapters between “first person” accounts, and quasi scholarly essays. Art preview below:

I might experiment in a subsequent volume with trying to embed animated gifs or even short videos from Sora if I can get the technology working adequately to share them. Ebooks don’t seem well-suited to that kind of thing, due to file sizes, though. So we will see what’s actually still feasible.

Mechanical Movements & Drawing Machines (Links)

Have had these links sitting open in browser tabs for many weeks, so just wanted to offload them here for safe-keeping:

Gen AI Orb & Drone Video Set

I’ve been following with great interest the current “flap” around drones/orbs/UAPs being sighted in both the night sky and broad daylight around the United States and the world. A lot more to say there, obviously, but one experiment I did was trying to get OpenAI’s generative AI video tool Sora to create “convincing” fakes in this genre which would cleanly match what we’re seeing from users on the street.

I uploaded about a dozen or so video results to Imgur, which you can see at the link as they can’t be embedded easily here.

These videos end up being interesting in their own right, and even – dare I say – “artistic” at times. But what I found is they look pretty much nothing like the videos we’re seeing uploaded regularly to platforms like Reddit & TikTok, etc. Doesn’t necessarily mean nobody is using gen AI to enhance (or even generate) some of the effects we’re seeing in these videos, but if they’re doing it, I have yet to see one that could be easily explained away as “Oh, that’s just AI.”

Quoting Ed Zitron on Digital Debris

Excellent piece, here’s a small quote:

I believe billions of people are in active combat with their devices every day, swiping away notifications, dodging around intrusive apps, agreeing to privacy policies that they don’t understand, desperately trying to find where an option they used to use has been moved to because a product manager has decided that it needed to be somewhere else. I realize it’s tough to conceptualize because it’s so ubiquitous, but how much do you fight with your computer or smartphone every day? How many times does something break? How many times have you downloaded an app and found it didn’t really do the thing you wanted it to? How many times have you wanted to do something simple and found that it’s actually really annoying? 

How much of your life is dodging digital debris, avoiding scams, ads, apps that demand permissions, and endless menu options that bury the simple things that you’re actually trying to do? 

Quoting Dave Winer on Coding With ChatGPT

I’m leaving Slack, so I have been leaning heavily on ChatGPT to help me set up possible open source alternatives like Rocket Chat :thumbsdown: and Matrix :thumbshalfwayup:. I’m not much of a Terminal wizard, but from this experience having ChatGPT guide me through using the command line, I’ve learned a lot. One of the things I’ve learned is you basically always get stuck – eventually – down one or several blind alleys when explicitly following its instructions. And then it just runs you down them again and again (but still did better than Gemini in the one time I tried it for an intractable Matrix Synapse server settings issue).

Anyway, that’s why I’m quoting this Dave Winer bit here, cause I’m apparently not the only one:

As a programming partner, ChatGPT is encyclopedic but is not good at strategy. It will drive you down blind alleys. It’s also really irritating that it rewrites your code to conform to its standards. And it has a terrible memory. Forgets things you told it specifically not to forget. It does not keep promises.

Also, because it does not suffer from human impatience, it has no problem telling you to repeat the same 5-6 checks again and again, no matter how many times you say it didn’t work and yes you already triple checked that config file in nano. Frustration, in a way, is actually valuable. It tells you when things really aren’t working and make you question whether it’s actually valuable as a human to continue down a given path. But you can’t rely on the program itself to bring that kind of guidance to you – you have to rely on your human faculty of annoyance. Which, the more I think about it, might somehow be connected to intuition: knowing when to fold and try something else.

Still though, I would not have ever learned so much so quickly about the command line without ChatGPT backing me up. And, of course, if the programs I am trying to run were not so finicky and buggy. I finally got Matrix up and running (accessing via Element), but never did sort out the correct subdomain issue I messed around with solving forever and ever. And who the hell knows if my m.room.retention settings are going to be honored. At least it will be encrypted if it’s not deleted in a purge job eventually (though hard deletion is always best policy for stale data, imo)…

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