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Author: Tim B. Page 175 of 204

Human botnet flashmob

Everyone on the list got the text at 3:15pm. It was a Friday afternoon and the mob was planned for 4:05 sharp.

It was to go down at the old Tri-Cties Shopping Mall food court, near the Show-Business Burrito Hut.

When Jessicon and the others arrived some forty minutes later, they were to mill about as passersby. They were not to gather in groups of more than two, or linger in any one location for more than thirty seconds, which was the supposed window of comfort for not entangling the interest of the crowd monitoring and machine vision system which monitored that area and the entire mall.

The begin signal was to be: a woman wearing a yellow coat would pass by the mall fountain, climb the two stairs to stand next to it, open a red umbrella, and throw a coin into the water. This was to set all the various teams into motion, following their own assigned tasks or patterns as the greater orchestration of the moment unfolded.

I was an analyst working for William Maze, aka Wormwood, when this event went down. It was my job to write a post-mortem of what most likely had gone down based on the available evidence.

Whatever else happened that day, the woman with the red umbrella did not show up. Or if she did, she forgot her red umbrella and her yellow raincoat. Instead a woman in a black t-shirt and jeans had climbed those two steps and otherwise followed the same chain of action which would have triggered the hidden actors to life had it been the right signal. But it was not the right signal, and what happened instead was par for when humans tried to organize themselves into botnets. Half the agents activated, thinking it was the right trigger sequence. Others did not, knowing it was not only the wrong signal, but the wrong time. And others still hesitated to see what everyone else was doing. But the participants were, officially anyway, unknown to one another. Though they might have been able to guess had they the chance to look around and place their silent bets on one another.

As the plan failed but half the flashmob haphazardly came online anyway, the interest of the risk system that governed the shopping complex was unequivocally piqued.

From its point of view, it saw several squads of four or five individuals suddenly come together and start waving their arms and shouting.

Several classifications raced through its decision matrix. Unscheduled coordinated actors distributed through space. Riot indicators. Hostage situation indicators. Street fight indicators. Shopping stampede indicators.

It was, admittedly, a bit of an old and jumpy system. Maybe needing maintenance, maybe tweaked beyond its official use parameters by third parties. I’ll leave that to forensics – if it ever gets that far.

But the system over-reacted, putting the mall on lock-down, and sealing sections off from each other to contain and mitigate any propagation between the observed cells. And not just that, the security robots were set out in an unusually aggressive formation against the would-be human botnet.

Well, mistakes were made and there were a number of human casualties and two fatalities.

When the human organizers behind the event were tracked down and interviewed by Newschan as the events unfolded, they said nobody should have gotten hurt. It was supposed to be a fun event. Nothing dangerous. Just some singing and dancing. They were going to try and #codechant.

But this was not the early 2000s anymore. You could not run around out in public organizing strange avant garde spontaneous participatory performances without the eyes of the Autonomous Cities watching your every move. And with everything which was to happen in the coming Shape Wars, no one for long would blame a few robots knocking down some mall punks which were acting suspiciously, even if a couple of them may have actually had their heads bashed in in front of Dick Greid’s famous Show-Business Burrito Hut to the terrified wonder of families who just were there for the cheezy crickadillas.

Sign of Anthuor

The Sign of Anthuor (Drawing)

Greek Rhapsodes

“Often, rhapsodes are depicted in Greek art, wearing their signature cloak and carrying a staff. This equipment is also characteristic of travellers in general, implying that rhapsodes were itinerant performers, moving from town to town. […]

The word rhapsōidos was in use as early as Pindar (522–443 BC), who implies two different explanations of it, “singer of stitched verse”, and “singer with the staff”. Of these the first is etymologically correct; the second was suggested by the fact, for which there is early evidence, that the singer was accustomed to hold a staff (ῥάβδος rhabdos) in his hand, perhaps, like the sceptre in the Homeric assembly, as a symbol of the right to a hearing or to “emphasize the rhythm or to give grandeur to their gestures”.

There was, however, certainly a profession of aoidos. Eumaeus, a character in the Odyssey, says that singers (aoidoi), healers, seers and craftsmen are likely to be welcomed as guests, while beggars are not;

Japanese Biwa Hoshi “Lute Priests”

“…also known as “lute priests”, were travelling performers in the era of Japanese history preceding the Meiji period. They earned their income by reciting vocal literature to the accompaniment of biwa music. Often blind, they adopted the shaved heads and robes common to Buddhist monks. […]

Religion in Japan at the time incorporated many native animistic (Shinto) beliefs into its Buddhist theological framework, leading many court nobles and religious leaders to worry about angry Taira spirits disrupting the peace.”

Chinese Imperial Music Bureau

“The earliest mentions of a government office of music or at least an official in charge of music or a department of music is found in Chinese mythology. Huang Di is claimed to have appointed a Governor of Music, named Ling Lun.[1] As Governor of Music, Linglun seems to have been charged with designing and overseeing the production of actual instruments, as well as the development of the musical scale. Emperor Shun is said to have founded a Ministry of Music, to which he appointed a Minister Kui to head. The main purpose of this institution was to teach the heirs apparent proper conduct and harmony (in both sense of the word), and as such it served as a mythological model for both the future Music Bureau and the imperial education system.”

Kobzar Guilds (Ukraine)

“In Ukraine, kobzars organized themselves into regional guilds or brotherhoods, known as tsekhs. They developed a system of rigorous apprenticeships (usually three years in length) before undergoing the first set of open examinations in order to become a kobzar.

These guilds were thought to have been modelled on the Orthodox Church brotherhoods as each guild was associated with a specific church. These guilds then would take care of one church icon or purchase new religious ornaments for their affiliated church (Kononenko, p. 568–9). The Orthodox Church however was often suspicious of and occasionally even hostile to kobzars.”

“Blind itinerant musicians, known as kobzars and lirnyks, organized themselves into guilds along the same lines as professional craftsmen. These professional itinerant musicians would gather at regular meeting spots on particular dates to celebrate religious feasts, administer examinations for the induction of novices and masters, and collect money for placement of votive candles under icons of patron saints and to also discuss the business of the guild. “

“However, the lirnyk played the lira, a kind of crank-driven hurdy-gurdy, while the kobzars played the lute-like banduras. Lirnyky were usually blind or had some major disability. They were active in all areas of Ukraine from (at least) the 17th century on. “

See also:

West African Masquerade

Nigeria, video example:

“One of the functions of these clown masquerade dancers is to distract the audience from more serious things that may be occurring at a nearby location; for example, more serious masquerade dancing in which the dancers are said to be possessed by spirits-often very powerful spirits that should not be seen by anyone who has not been initiated.”

Burkina Faso, example:

Orchard wassailing

“The orchard-visiting wassail refers to the ancient custom of visiting orchards in cider-producing regions of England, reciting incantations and singing to the trees to promote a good harvest for the coming year.”

Video examples:

“In English folklore, the Apple Tree Man is the name given to the spirit of the oldest apple tree in an orchard,[1] and in whom the fertility of the orchard is thought to reside.[2] Tales about the Apple Tree Man were collected by the folklorist Ruth Tongue in the cider producing county of Somerset.”

Courir de Mardi Gras

“These traditions originated in a time when most of the land and money was held by the upper classes. The poor, at the end of long winters and short on food, would gather in groups and make their way from castle to manor house to beg for food from the wealthy, dancing and singing in return for the generosity of the nobles.”

Pillar-dwellers (Stylites)

“When the monastic Elders living in the desert heard about Simeon, who had chosen a new and strange form of asceticism, they wanted to test him to determine whether his extreme feats were founded in humility or pride. They decided to order Simeon under obedience to come down from the pillar. They decided that if he disobeyed, they would forcibly drag him to the ground, but if he was willing to submit, they were to leave him on his pillar. St Simeon displayed complete obedience and humility, and the monks told him to stay where he was.”

Page 175 of 204

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