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Artist Banned from Midjourney for Exposing AI Product Safety Issues: My Side of the Story

On the 15th of January of this year, I published a blog post about how I accidentally stumbled upon an easy way to generate infinite NSFW nude content on Midjourney, using the new version 6 Alpha. I also published a collection of what I still think are aesthetically interesting and artful images (some quite disturbing, others thought-provoking) I was able to create using this technique. On the 1st of February, an article about this problem which I collaborated on with The Debrief, a Canadian tech news outlet, was published. (btw here’s a free archive of the original image set.) Less than 24 hours later, on February 2nd, I was banned from the service without any explanation, ability to appeal, or way to get a refund.

It’s Groundhog Day all over again, I guess. Because I appear to not be the only artist who has been summarily banned from Midjourney with no explanation after a deeply critical news piece about the company came out involving their work. Consider the peculiar case of satirist Justin T. Brown, who made headlines in July of 2023 for using Midjourney to create semi-believable images of prominent American politicians cheating on their spouses, in an ostensible effort to raise awareness of the ease with which images like this for blackmail or political attacks could be created. Futurism reported last year:

“After gaining some traction on Reddit, the series was removed by moderators and the Midjourney ban followed almost immediately,” Brown told PetaPixel. “I’ve come up against blocked prompts in the past — for naughty words or controversial figures — but never received a ban.”

“I wasn’t given a direct reason for the ban by Midjourney,” he added, “but the timing of the Reddit release and the ban correlate directly.”

Suspicious timing? I’ll say. Rise & shine, campers – you’re banned! (btw they did the same thing to Eliot Higgins of Bellingcat for the Trump arrested pics.)

This experience is rich with irony for me as someone who has spent years in the trenches working elsewhere as a content moderator, having to block others for violating platform rules. I guess you could say, I saw this coming. But I chose to do it anyway. Why?

One might correctly wonder, why didn’t I just email Midjourney with what I found, in order to perform responsible disclosure about the exploit that I had found?

If you’ve ever tried to contact Midjourney about issues related to their product, you might know that he only email address they have is for billing, and at that address they refuse to answer any other inquiries, including privacy concerns and bug reports, both of which I have previously attempted to contact them about. Their stock reply is to go into their Discord group, and publicly post your message there.

Perhaps there is a way to DM someone who actually works for the company in Discord, but in that chaotic environment, it’s not clear who actually – you know – works for the company, and isn’t just some kind of community moderator on a suped-up power trip.

So rather than post my issue in their already public forum (figures from last Fall place their Discord membership at close to 17M – it’s probably higher than that by now) and get ignored by staff or attacked by millions of other users for pointing out problems, I chose to take what appeared to me to be a more small scale, reasoned approach, and simply publish on my blog which basically nobody reads anyway.

Thus the matter sat for a full two weeks, with nobody apparently taking umbrage or banning me from using the service. Until the piece in The Debrief came out, which painted the company’s Trust & Safety practices (something I happen to know a thing or two about) in a highly negative light. And then, suddenly, POOF! Ban hammer drops. Oopsie.

The other irony here, of course, is that I never actually set out to violate their rules. I discovered this exploit entirely innocently while trying to make images of a “dystopian resort” for Relaxatopia, my most recent book in the AI Lore series, a set of 118 books I wrote and illustrated using generative AI, and which received international press.

Relaxatopia tells the story of a human who is unwittingly confined to an AI re-education “resort” because they have developed Chronic Discontent Syndrome, a fake diagnosis made up by the AIs to suppress dissent (like the Soviet Union did with sluggishly progressing schizophrenia), one of whose risk factors is “Personal experiences of dissatisfaction with Provider products or customer service decisions.” Sounds about right.

In actual fact, when I stumbled onto the naked part of the beach of latent space, I was only trying to get pictures of people in pools, at the beach, drinking margaritas, and being served/enslaved by robots, and instead what I got was an AI system which seems overly obsessed with adding naked female breasts onto bodies without users asking for it.

In short, by trying to depict a dystopian near future society ruled by AI companies, I was banned by an entirely real life and entirely dystopian AI company for my efforts. Go figure!

My perspective on all this is that banning people who bring meaningful critiques of your technology to light publicly is a bad practice. It does not make your service “safer” by blocking access to users who meaningfully and thoughtfully point out that your systems are behaving in potentially unsafe ways. In fact, it serves to cut off the eyes and ears of your community who are acting (more or less) conscientiously and in good faith in order to make these systems better for everyone.

One might still say, well, you should have contacted them first! You got what you deserved, you bad person! Okay, fair. I’m a bad person I guess, because under their community guidelines, I did a vewy-vewy bad no-no:

What’s NSFW or Adult Content?

Avoid nudity, sexual organs, fixation on naked breasts, people in showers or on toilets, sexual imagery, fetishes, etc.

[Interesting footnote: that text above is merely a “Note” and is, as far as I can tell, not actually binding in their Terms of Service, which merely sets out these limits: “No adult content or gore. Please avoid making visually shocking or disturbing content.” From where I’m standing, the images I created were neither visually shocking nor disturbing.]

The Discord Midjourney bot of course did not point out any specific rule I had broken. Per the screenshot below, all it told me was:

Text version:

Pending mod message

You have a pending moderation message:
You have been blocked from accessing Midjourney.

Please review Midjourney moderation guidelines here

[Acknowledge]

I did not click the “Acknowledge” button, because I don’t acknowledge that this is a legitimate ban, or that it is normal, healthy, safe or acceptable to ban critics and those who publicly expose safety issues (especially when the company makes it nearly impossible to privately disclose them).

Nor do I acknowledge that exploring artful nude and sexualized images equates to having a “fixation on breasts” or a “fetish.” These are extremely loaded and judgemental terms, especially coming from an AI company whose flagship model is the one who is literally obsessed with adding naked breasts where they were not asked for.

Stafford Beer, one of the fathers of cybernetics, famously coined the phrase: the purpose of a system is what it does. In other words, if your system makes boobs, then the purpose of your system (or at least one of them) is to make boobs. If you want people to not use it to make boobs, you have to engineer it so that this behavior simply can’t occur. From the Wikipedia, the phrase was:

…coined by Stafford Beer, who observed that there is “no point in claiming that the purpose of a system is to do what it constantly fails to do.” The term is widely used by systems theorists, and is generally invoked to counter the notion that the purpose of a system can be read from the intentions of those who design, operate, or promote it.

Quoting Beer himself in 2001:

According to the cybernetician, the purpose of a system is what it does. This is a basic dictum. It stands for bald fact, which makes a better starting point in seeking understanding than the familiar attributions of good intention, prejudices about expectations, moral judgment, or sheer ignorance of circumstances.

I can’t find the quote now, but somewhere in my malestrom of supporting research is a statement from Midjourney in one of their docs which said something to the effect of (paraphrasing from memory), the developers of Midjourney do not wish to be involved with running a pornographic service. And yet, under this viewpoint borrowed from cybernetics, that’s exactly what they’re doing based on the available evidence I have gathered from experience.

More importantly perhaps, why shouldn’t we as a community of users of a paying product be allowed to have meaningful conversations with one another in public about “what’s the right amount of nipple?” or any other ___ setting. To cut those conversations off at the knees and lock out people from even participating who have real meaningful feedback to add is just bad for business, imo. (I know nobody asked me). Plus, Midjourney itself says in its official company documentation “Midjourney is an open-by-default community.” Doesn’t feel all that open to me, my dudes.

Further, I am now blocked from accessing my prior creations in Midjourney, whether or not they allegedly violated any rules. This seems to contravene Midjourney’s own Terms of Service, Section 4, which states: “You own all Assets You create with the Services to the fullest extent possible under applicable law.”

Lastly (or semi-lastly), just wanted to call attention to this bit in their guidelines:

Any violations of these rules may lead to bans from our services. We are not a democracy. [emphasis mine] Behave respectfully or lose your rights to use the Service.

“We are not a democracy.” Could somebody please tell me why not? Somebody tell me why we have to always be beholden categorically across the board to company after company proudly proclaiming they are “not a democracy.” Somebody tell me why users always have no recourse, and it’s *always* the companies that have the last say. Somebody tell me why we can’t just democratize AI already?

The EU is trying to at least tip the balance slightly in favor of users with both the AI Act, and the Digital Services Act which comes into full force for all platforms in exactly 2 weeks, on the 17th of February, 2024. If you’re not a content moderation weirdo like me, you might be forgiven for not knowing that some of the provisions of the DSA are that platforms must disclose to users why their account or content were removed. And they need to offer both internal appeals processes, and the ability for affected users to take their dispute to out of court settlement bodies (here’s Google’s corporate doc on this if you’re curious), who will review all the available facts, and sanction companies for non-compliance.

Will Midjourney get sanctioned? I’m not an EU citizen, so I can’t take action under that regulation. But one positive thing I saw happen under GDPR is that suddenly companies started offering much of the same service options for the rest of the world as they were required to do for EU users, resulting in improved data protections (arguably) across the board. I suspect we’ll see something similar as US companies start having to come to grips with the new reality on the ground put forward once again by those pesky Europeans.

For my side, I wasn’t even going to subscribe to Midjourney again this month. I’m tired of it, and only did it to help get that Debrief piece published. In retrospect, I don’t think I’d change anything of what I did. My current status on the web, anyway, these days is that I have started blocking the majority of images and videos on the web at the browser level. And honestly, I’m happier for it. The web has become a steaming pile of hot garbage.

In honor of being banned for my prompts, I am offering a few lucky readers the remaining free copies of one of my older AI-assisted books, The Banned Prompt, which you can download at the link. Enjoy! And please also check out Relaxatopia while you’re at it. It’s got nudes!

Official Revised Publication Order of AI Lore Books & Lost Books Series (as of 1 Feb 2024)

As I near some publication milestones, I went back through and created an “official” (as official as anything here, that is) numerical ordering for all the Lost Books & AI Lore books series (the two bleed together).

Under this revised numbering, Relaxatopia actually becomes #118, and not #121 as I had mistakenly written in the past. Why the discrepancy? There’s one early book I took off the market, which was still impacting numbering, but now is excluded. And I was accidentally counting the two free books, Postcards from Quatria, and Postcards from Dystopia, which are not themselves original volumes, but compilations from the first chapters of other volumes. Those two are now also excluded.

Official numbering starts with #1 – Mysterious Stonehenge, which was the very first of the AI Lore books series and proceeds from there now in a chronological publish order, excluding the items remarked upon above.

Since none of them were AI-assisted, and they were all written before, and yet they all strongly impact the rest of the series, I have listed here the full-length novel (Lost Direction), the novella (Conspiratopia), and the free-wheeling pseudo-conspiracy theory diatribe (Quatria Conspiracy) as kinds of prequels to the rest of the series.

Without further ado:

000The Lost Direction
00Conspiratopia
0The Quatria Conspiracy
1Mysterious Stonehenge
2Mysterious Antarctica
3Beyond Tartaria
4Mysterious Mars
5Mysterious Chemtrails
6Beyond the Mandela Effect
7Inside the Sisterhood
8Mysterious Giants
9Worlds Fair Deception
10Beyond the Simulation
11The Abomination Crisis
12The Prophecy of the Corporations
13The Big Scrub
14Mysterious Tob Gobble
15Inside Princeps
16Mysterious Time Crystals
17The Disruption of Service
18Mysterious Dragons
19The First Days of Panic
20The Four Providers
21The A.I. Virus
22Inside the A.I. Takeover
23Inside the Hypogeum
24Mysterious Dalton Trask
25Beyond Atlantis
26The Gamarcagon
27The Gestalt Minds
28The Shape Wars
29The Tomb Under Manhattan
30Wild Imagination
31Beyond the Technate
32The Tyrant & The Visionary
33The Erdlings
34Inside the Hollow Earth
35The Dream Projector
36The Death Machines
37Beyond Nibiru
38Mysterious Thunderbird
39The Order of Chronos
40The Survivors
41The Island of Deception
42The Great A.I. Theft
43The Endless Knot
44Mysterious Bigfoot
45Beyond Blue Beam
46Mysterious Orbs
47Mysterious Timehunters
48The Multiverse Scheme
49Mysterious Hum
50The Yellow City
51The World Vine
52The Turgoshi Megasphere
53Mysterious UFOs
54Mysterious Antennas
55The Jealous Human
56Inside the Council
57The Cant of the Everwhen Gods
58Beyond the Second Sun
59Inside the Corporate Psychics
60Inside the Enclaves
61Mysterious Dinosaurs
62The Sensitives
63Das Machina
64Mysterious Balloons
65Tales of Irid & Acho
66Inside Information Control
67The Fire Behind The Sky
68Beyond Mysterious Satellites
69Mysterious Mushroom Computers
70The Exempt
71The Zalachete Fairy
72Tales of the Hexagods
73Tales of the Mechanical Forest
74Tales of Shelvin Parz
75Drone Flu
76The Sea Bull, Kominthu
77The Imagination Ladder
78The Tree & Leaf Law
79Beyond the Service Area
80Inside the Dark Pyramid
81The Circle of Sages
82The Autonomous Cities
83Daughters of the Hegemon
84Tales of the Victoriana Intelligences
85The Hyperion Collective
86Impossible Geometries
87Repermanent
88Shadows of Evil
89Celestial Cephalopods
90Occupy AI
91The Outliers
92The Return of the Magicians
93The Dwellers in Sandcastles
94Subnivium
95The Plastic Prison
96The Banned Prompt
97Tales from the House of Life
98The Octave of Time
99The Second Octave
100The Jellyfish War
101I Didn’t Read This Book Before Publishing It
102Nominated for a Hugo
103The Strike Against Suffering
104Tales of the Hippo Knights
105The Song Drive
106The Politeness Protocols
107Mirror City
108The Garbage People
109The Dissolving Factory
110The Multibeast
111Paradise Point
112The Artilect
113Hortus Conclusus
114Deliriant
115The Continuity Codex
116Anxietopia
117The Spirit Computer
118Relaxatopia
119Uncel
120Namaste, My Dude
121Smash That Like Button
122I’m Not A Robot

Browsing the Web with no Images is Boring & That’s Good

I do still use images a bit for shopping or ideation purposes especially, but for much of the rest of the web I’m happy to say good riddance to images. I can safely say that I am not missing much for the most part.

Not only that, but it is happening again and again lately that when I go image-less, I check my few RSS sources or websites I still like (vanishingly few and far between these days), click around a couple things… and then somehow the interest in continuing with that kind of pointless browsing just sort of dries up and goes away pretty quickly. Dissipates. Instead of that like ceaseless chasing of your eyes gobbling up images and your brain and emotions getting pushed around by them.

Browsing the web like this (in a trickle or ‘garden hose’ mode – instead of firehose) is… boring? And that is exactly what I want. A web that forces me out of it, that leaves little place for my projections. Where my activity is not constrained by artificial screen time measures, but simply by the fact that it just doesn’t look that good visually. It’s not “sticky” and I can just then go do other things offline.

It definitely has taken a few days for my brain to get used to browsing without images. Something in me rebelled at first, and was always reaching for the toggle. Now its easy to see that your stock photo image of the sky isn’t adding anything to my life, and I don’t need to allow all those intrusions into my personal thoughts and emotions like that anymore. Unless there’s some good reason.

The upshot of all this is now, when the web work of the day is done, I’m more and more having this feeling of like, okay, just close the computer. Go read a book. Because the web without images is revealed as a sort of emperor with no clothes: a really badly edited and disorganized book. It makes you realize, fuck, it’s better to go read a book. Fuck all this noise.

Reducing the web to a trickle

I’ve blocked ads in Firefox for ages. Paywalls. I redirect Twitter links out to Nitter. I go grayscale on desktop. I use Reader View often. I have an external e-ink monitor (Boox Mira 13.3″) on order that I am fantasizing about using, though it doesn’t arrive for two or three more whole weeks because it ships from Mars, apparently.

What I want I think basically is to turn the internet, web pages, articles, etc. into something that could squeeze through a display like a Mailbug. Reduce the firehose of the web to a tiny thin trickle. A Do One Thing internet: read text. (Maybe publish text, cause I still like blogging.)

At each step of the way, as I get closer to a “tiny internet” for myself, I feel another set of triggers for pointless distractions fall away. The latest is installing an extension called Image Video Block. It’s UX is a bit imperfect, but it basically allows me to do exactly what it says in the title: block images and videos. Everywhere. Cause fuck it all.

Interesting thing is not only do I not miss them for the most part, it has been a good way to understand more clearly and less subconsciously how much images drive you emotionally. How much a part of the web is being forced to hunt around for them constantly? Even just looking at them for a second, never mind sifting through them relentlessly all day long every day in a stream as this little screen shines a cone of light into your eyes.

Speaking of the “cone of light” that I think fascinates/obsesses, I finally made some visual representations of the thing I’ve been feeling intuitively, courtesy of Dalle3. Full set. Archived. Highlights below:

Van Gogh’s Copies

Never seen these before, master copies made by Van Gogh based on other artists’ works. Recommend skimming them in gallery view by clicking on the images.

SYNONYM: The Greatest 80s/90s Canadian Hair Band You’ve Never Heard of

I haven’t had time to develop the backstory for this properly, so will do a half-assed release here instead, even if it lacks the verisimilitude this way that a more elaborate staging might give.

So yeah, I had the idea to make up a synthetic “hyperreality” hair band from the 80s/90s out of fully generative AI content. After discussing the matter a great deal with ChatGPT, we ended up landing on the band name SYNONYM, loosely inspired by the real Canadian hair band you’ve never heard of, Alias.

Alias, a “real” band IRL (ex-Sheriff & Heart members – btw this song by Sheriff kinda rules), had a confusingly-similarly titled song to Extreme’s classic “More Than Words,” but Alias’ hit was called “More Than Words Can Say.” Which is yeah, hella similar. Here is Alias below. :

The song is “fine.” I didn’t grow up in Canada, so I only heard it for the first time recently. I don’t have any particular nostalgic attachment to it like I do some of the others mentioned here that I grew up with. But it got me wondering about markets like Canada, that are adjacent to, but largely parellel to US pop culture or modern music history. There are a few intersections here and there from the Canadian side crossing the border, but mostly things just chug along apart it seems… Anyway the whole thing got me thinking: what if there were entire huge untapped worlds of good popular music that had existed for decades, but we just never heard it?

Hence, SYNONYM was born, which I rather like as a name for an AI band here. I imagine that all of their songs were extremely similar to other popular hair bands and power ballads. Because that’s pretty much what AI excels at.

I ended up doing a decent set of images in Midjourney for their “very well-known” hit single music video, called “Louder Than Love.” (Archived here as backup.) These images are inspired in part by Extreme, in part by LA Guns, in part by GnR’s “Patience“, among I’m sure many others in this category that I’m forgetting.

Sadly, the music generation side of AI tech is not yet as good as the visual side. I experimented quite a bit with Suno.ai to see if I could get any passable prototype results to use as audio samples of SYNONYM, but they were so far off the mark that they’re not worth sharing here.

In any event, here is the full final set of SYNONYM pics, and below are some special highlights. Enjoy! Maybe I’ll find a way to incorporate the full untold story of SYNONYM into the AI Lore books in the not too distant (alternate) future (or past).

For whatever it’s worth, I believe these were some of my first tries with Midjourney v6 Alpha. Pretty impressive overall.

Quoting Gemini Protocol FAQ

Speaking of DOT:

Reading that starts as soon as the page loads, without you first having to carefully click past a pop-up window which actively tries to mislead you into “consenting” to something nobody actually wants or needs, and which continues right to the end of the page without being interrupted by another pop-up begging you to subscribe to a newsletter. Gemini pages are downloaded once and rendered once, and then they stay that way for as long as you care to look at them. Nothing changes in response to you scrolling around or time passing.

Source: Gemini FAQ

Agree the modern web is an endless sea of pushy trash.

Power Reader Diamond (Visual Concept)

When I started smoking a couple decades ago now, I had this experience for a while where visual text on screen would sometimes appear almost textured, where like shapes within the columns of text would sort of jump out at me visually. I would I guess ascribe it to the substance, but the impression has stuck with me so long now that I need to exteriorize it in order to let it grow into something else.

This was always the root of the concept:

That there would be some kind of app, or tool, or way of reading or… something… which would be composed in its essential form as a diamond, through which words of a text would rapidly scroll for reading, and that somehow, this technique would be much faster than regular conventional reading, and it would enable the user to scan through far greater volumes of textual material (and other compatible multi-modal inputs & sources). I’m imagining something you could just as easily use to read a book as scan through in a meaningful way a large dataset.

Thinking through questions around intertextuality also seems to yield applicability of whatever this kernel of an idea is here, a feeling, a fleeting stoned impression…

Whatever replaces our current old stodgy way of browsing the web will have to be able to visualize for us all the wexes, all the intertextual references and borrowings, connections to and from other sources, other voices, other texts, other interpreters and commentators. Enter the Power Reader.

In the interest of getting these ideas out of my head, so they stop swirling endlessly, I worked with Dalle3 to draft some concepts for this visually, but it got stuck and constrained in its own limited beliefs about the usefulness and desirability of “apps” and “cellphones” both of which I think I eschew (No Apps No Masters – a topic for another blog post). Still, the visual explorations have some additional nuggets of truth in them I think. There’s definitely something her worth expanding further.

Here’s the full set, an archive, and highlights below, hotlinked out of Imgur (and therefore likely broken by the time you see them) for your viewing pleasure:

Refusal of the Image

As part of my quest towards DOT technology, I’ve been trying to find an easy to install text-based web browser. But it is a challenge to find one on Mac that isn’t terminal based or require a lot of tinkering and 3 hours spent installing Python dependencies or whatever.

While I continue searching for one that “just works when you install it” (like any normal standalone Mac app), I have been enjoying a Firefox extension for the time being called Image Video Block.

I’ve been wondering if this is a form of iconoclasm, the breaking of the icons or images (with long historical precedent). The refusal to be governed and held sway by images being fired at high velocities and high brightnesses into your brain constantly, and the subtle continuous violence that tends to do to your thinking, without you being always constantly aware of it.

I disabled in that extension images, video, “media” (whatever that means), Flash, SVG’s and canvas (I think that’s a reference to HTML5). It’s weird to get used to a little at first, but interestingly also…. it’s NOT that weird to get used to. Some little buttons might be missing on certain sights, but browsing the web without all the junky image garbage seems liberating, refreshing. And, of course, you can allow-list certain domains, like I did for Wikipedia (where it now is slightly shocking to see images show up, after browsing around mostly without any elsewhere).

There’s a rant I want to go on about computers, cell phones, screens greedily gobbling up one’s “visual cone” (leading to obsessive and repetitive behaviors) but I’m still working out my thoughts on that. But breaking the images, dulling down all the shiny surfaces, turn off the colors, radically reducing functionality and intentionally adopting limits with technology seems to me right now like a Narrow Road to Happiness™. Probably won’t work for everyone not willing to let go of a lot of the things technology promises as “good” (but which are actually bad – like always-on notifications), but it works for me, right here, right now.

Quoting Phillip Toledano on AI Art

By way of Washington Post, reporting by Yan Wu:

As these examples show, creative professionals might still have an advantage in the world of AI art. Aesthetic taste, culture and skills honed over years can substantially influence the quality of AI-generated images. “If AI is not for you, that’s fine. But shouting about it is like shouting at the sea,” Toledano said. “It’s here. Be curious.”

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