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An epoch, for the purposes of chronology and periodization, is an instant in time chosen as the origin of a particular calendar era. The “epoch” serves as a reference point from which time is measured.T he moment of epoch is usually decided by congruity, or by following conventions understood from the epoch in question. The epoch moment or date is usually defined from a specific, clear event of change, epoch event. In a more gradual change, a deciding moment is chosen when the epoch criterion was reached.

Source: Epoch – Wikipedia

Class I and II stones contain symbols from a recognisable set of standard ideograms, many unique to Pictish art, which are known as the Pictish symbols. The exact number of distinct Pictish symbols is uncertain as there is some debate as to what constitutes a Pictish symbol, and whether some varied forms should be counted together or separately. The more inclusive estimates are in excess of sixty different symbols, but a more typical estimate is “around thirty”,[4] or “around forty” according to Historic Scotland.[1]

Source: Pictish stone – Wikipedia

Excavations to date show uninterrupted human presence in the Dikteon Cave from the end of the Neolithic period onwards or for about the last 6,000 years. It operated as a cult center from the Minoan to the Archaic Period (2000-700 BC), while worship at the cave continued sporadically until Roman times (1st century BC – 1st century AD).

Source: Dikteon Cave: The Legendary Birthplace of Zeus | Ancient Origins

In ancient art, confronted-animal motifs often involve the Master of Animals, a central human figure between two confronted animals, often grasping them, and are probably part of a unified socio-cultural motif. A related motif in ancient art is known as the Mistress of Animals.

Source: Confronted animals – Wikipedia

They settled in their new lands and became farmers and fishermen. Archaeological evidence shows no tradition of monumental artwork, such as architecture or large sculpture in permanent materials, but a preference instead for “mobile” art for personal display, usually also with a practical function, such as weapons, horse harness, tools, and jewelry which fastened clothes. The surviving art of the Germanic peoples is almost entirely personal adornment, portable, and before conversion to Christianity was buried with its owner. Much art in organic materials has no doubt not survived.

Source: Migration Period art – Wikipedia

Steppe jewellery features various animals including stags, cats, birds, horses, bears, wolves and mythical beasts. The gold figures of stags in a crouching position with legs tucked beneath its body, head upright and muscles bunched tight to give the impression of speed, are particularly impressive. The “looped” antlers of most figures are a distinctive feature, not found in Chinese images of deer.

Source: Animal style – Wikipedia

Christianity discouraged the burial of grave goods so that, at least from the Anglo-Saxons, we have a larger number of pre-Christian survivals than those from later periods.

Source: Insular art – Wikipedia

Mill owners encouraged garland dancing as a form of healthful exercise that also brought beauty to company events and town parades.

Source: Garland dance – Wikipedia

On October 1450 a large group of men entered the duke of Buckingham’s park at Penshurst in Kent and carried off eighty-two deer. Thirty-two men, nineteen of them yeomen, were named in subsequent indictment which made clear that a good number had escaped by its claim that there had been a total of a hundred present (not a figure to be taken too literally). These armed men had charcoaled faces, wore long false beards and withheld their names, calling themselves servants of the Queen of the Fairies.

Source: Border Morris – Wikipedia

9. Daring enterprise a bold leader; an object; an adversary; The bold leader takes the object from the adversary by overpowering the adversary.

Source: The Thirty-Six Dramatic Situations – Wikipedia